Elements of Criticism, Volume II.Kames, Henry Home, Lord
Philosophy
Elements of Criticism, Volume II.
Kames, Henry Home, Lord
Criticism; Literary style
If all the ends of the revolution are already obtained, it is not
only impertinent to argue for obtaining any of them, but _factious
designs might be imputed_, and the name of incendiary be applied
with some colour, perhaps, to any one who should persist in
pressing this point.
_Dissertation upon parties, Dedication._
It is even unpleasant to find a negative and affirmative proposition
connected by a copulative.
Nec excitatur classico miles truci,
Nec horret iratum mare;
Forumque vitat, et superba civium
Potentiorum limina.
_Horace, Epod. 2. l. 5._
If it appear not plain, and prove untrue,
Deadly divorce step between me and you.
_Shakespear._
An artificial connection among the words, is undoubtedly a beauty when
it represents any peculiar connection among the constituent parts of the
thought; but where there is no such connection, it is a positive
deformity, because it makes a discordance betwixt the thought and
expression. For the same reason, we ought also to avoid every artificial
opposition of words where there is none in the thought. This last,
termed _verbal antithesis_, is studied by writers of no taste; and is
relished by readers of the same stamp, because of a certain degree of
liveliness in it. They do not consider how incongruous it is, in a grave
composition, to cheat the reader, and to make him expect a contrast in
the thought, which upon examination is not found there.
A light wife doth make a heavy husband.
_Merchant of Venice._
Here is a studied opposition in the words, not only without any
opposition in the sense, but even where there is a very intimate
connection, that of cause and effect; for it is the levity of the wife
that vexes the husband.
---- Will maintain
Upon his bad life to make all this good.
_King Richard II. act. 1. sc. 2._
_Lucetta._ What, shall these papers lie like tell-tales here?
_Julia._ If thou respect them, best to take them up.
_Lucetta._ Nay, I was taken up for laying them down.
_Two Gentlemen of Verona, act 1. sc. 3._
To conjoin by a copulative, members that signify things opposed in the
thought, is an error too gross to be commonly practised. And yet
writers are guilty of this fault in some degree, when they conjoin by a
copulative things transacted at different periods of time. Hence a want
of neatness in the following expression.
The nobility too, whom the King had no means of retaining by
suitable offices and preferments, had been seized with the general
discontent, and unwarily threw themselves into the scale, which
began already too much to preponderate.
_History of G. Britain, vol. 1. p. 250._
In periods of this kind, it appears more neat to express the past time
by the participle passive, thus:
Public-domain text, read in full here on John Shaqi.
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