In general he spoke little; but there was much meaning in what
he said. His reserve gave me a feeling of embarrassment with
him, which, at the time I am writing of, was particularly
irksome. He forced one to _think_, and I preferred dreaming
alone, or drowning thought in talk with Henry. With the latter
I became more intimate than ever: we read together, and it
seemed to me that he always chose such books as excited my
imagination to the utmost, and wrought upon my feelings,
without touching on any of the subjects that would have
painfully affected me. I tried to write too. From my earliest
childhood I had felt great facility in composition, and it was
one of Mrs. Middleton's favourite amusements to look over my
various attempts, and to encourage the talent which she
fancied I possessed; but now I vainly tried to exert it; my
mind was not capable of a continued effort. I believe it is
Madame de Stael who remarks (and how truly) that to write one
must have suffered, and have struggled; one must have been
acquainted with passion and with grief; but they must have
passed away from the soul ere the mind can concentrate its
powers, and bring its energies to bear on the stores which an
experience in suffering has accumulated within us. And it was
this very helplessness of mind, this fever in the intellect,
which threw me, with such fatal dependence, on the resources
which Henry Lovell's conversation and society afforded me. If
he left Elmsley for a single day I felt the want of them so
keenly, that I welcomed him back in a way that may have
deceived others, deceived him, deceived myself perhaps--I know
not--I lived but for excitement, and if the stimulus failed, I
sunk for the time into momentary apathy. We sung together
sometimes, and my voice seemed to have gained strength during
the last few months--the old hall at Elmsley vibrated with the
notes which, with the impetuosity that characterised
everything I did at that time, I threw out with the full
consciousness of power. Often of an evening I sat down at the
organ that was placed in the gallery of the hall, and, forming
various modulations on its deep melodious keys, soothed myself
into a kind of dreamy unconsciousness.
Public-domain text, read in full here on John Shaqi.
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