Ellice Quentin, and other storiesHawthorne, Julian
General
Ellice Quentin, and other stories
Hawthorne, Julian
American fiction -- 19th century; Short stories, American
I.
One hot August forenoon, some years ago, two men met at a certain point
of the coast of Normandy, and shook hands with mutual good-will.
The elder of these men had lived in the world about five-and-thirty
years; he had had losses, and successes as well; but the latter,
happening to have arrived a year or so after he had got tired of
waiting for them, found him grown a trifle soured and cynical, and
apt to carp at the sunshine which had withheld its warmth from his
bones until they had contracted an ineradicable chill. His bitterness
was perhaps more of the head than of the heart, but was none the
less observable on that account. He was an Englishman by birth, and
a born painter also--at least in his own opinion. He had begun his
career with the firm persuasion that his genius entitled him not only
to hang on the line at the Academy, but to be one of the hangmen.
The Royal Academicians did not immediately fall in with his views on
either point; and when, after many years, they relented, and gave his
picture the place of honour, and intimated their purpose of filling
with his name the first vacancy on their august roll, this lofty and
unforgiving gentleman made a bow and begged to be excused. He had
made his name known without the Academy's help; he had won pecuniary
independence in a land where the word of the Academy was not law; and
he would now, therefore, with all due respect to the members of that
body, see every mother's son of them at the deuce before he would have
anything to do with them. Such an ultimatum necessarily finished the
episode; the Academy preserved a dignified silence, and the lofty and
unforgiving gentleman continued to spend the best part of his time in
Paris, exhibiting every year in the Salon, and telling the story of
his quarrel with the English potentates to whomsoever cared to hear
an amusing anecdote caustically related. He was a lengthy, meagre,
harsh-featured personage, this same cynical artist, but he prided
himself on the Parisian polish of his manners and his French accent,
and he was, in fact, a good deal of a favourite in society.
Public-domain text, read in full here on John Shaqi.
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