Ellice Quentin, and other storiesHawthorne, Julian
General
Ellice Quentin, and other stories
Hawthorne, Julian
American fiction -- 19th century; Short stories, American
The man who shook hands with the person above described was in most
respects as unlike him as could be imagined. To begin with, he was an
American; and, sentimental twaddle to the contrary notwithstanding,
there is no nationality so irreconcilable with the English, and so
incapable of sympathy with them, as that which styles itself American.
But this man, in addition to his Americanism, was full ten years the
junior of the other, and nearly the same number of inches shorter. His
face was smooth and almost boyish, handsome even to an unusual degree,
yet open to one criticism--that of being perfectly in harmony with the
figure of its owner. The world has seen many great men under six feet
high; but in them the countenance possessed the power or the nobility
that more than compensates for defective stature; and, in looking
upon it, the beholder quite forgot to be critical as to the greater
or less degree of its elevation above the earth's surface. In a word,
the face of this young American was the face of a short American--a
recommendation, doubtless, from the purely æsthetic standpoint, but
otherwise unfortunate. The lively blue eyes lacked depth and sternness;
the fine straight nose might well have been a thought longer or higher;
the mouth was too little and too academic in its curves; the forehead,
though capacious, lacked the fine and expressive modelling which
announces a master intellect. For the rest, this young American had a
clear, deep colour in his cheeks, such as any woman might have envied,
and the only fault of which was that no emotion had power either to
diminish or to heighten its intensity; soft dark hair, a small silky
moustache, and broad white teeth. The best feature in his face was
probably the chin, which betokened a vigorous and persistent will. In
figure he was square-shouldered, and rather plump than lean: his hands
and feet were small and well shaped. If the enumeration of these merely
physical details seems out of proportion with what was specified on
that score in the portrait of the Englishman, it should be remembered
that the younger man had as yet achieved little in the world beyond
this attractive personal appearance. His moral and social history
were yet to make. He was the son of a Boston millionaire; he had been
educated at Harvard College; he was courted and caressed in Beacon
Street drawing-rooms; and he had written quite a number of poems, odes,
lyrics, and sonnets, philosophical, commemorational, imaginative, and
erotic, which, reversing the natural sequence of states, first led a
brilliant butterfly life in newspapers and magazines, and afterwards
shut themselves up in the chrysalid of a gilt-edged, cloth-embossed
volume, whence they afterwards showed no symptom of emerging.
These two men, such as they are here shadowed forth, found themselves
face to face by the water's edge on that sultry August morning, and
greeted each other with hearty enough cordiality.
Public-domain text, read in full here on John Shaqi.
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