“Your guessing that,” Vereker replied, “is a proof that you’re as clever
as I say!” I was encouraged by this to remark that he would clearly be
pained to part with it, and he confessed that it was indeed with him now
the great amusement of life. “I live almost to see if it will ever be
detected.” He looked at me for a jesting challenge; something at the
back of his eyes seemed to peep out. “But I needn’t worry--it won’t!”
“You fire me as I’ve never been fired,” I returned; “you make me
determined to do or die.” Then I asked: “Is it a kind of esoteric
message?”
His countenance fell at this--he put out his hand as if to bid me
good-night. “Ah, my dear fellow, it can’t be described in cheap
journalese!”
I knew of course he would be awfully fastidious, but our talk had made
me feel how much his nerves were exposed. I was unsatisfied--I kept hold
of his hand. “I won’t make use of the expression then,” I said, “in
the article in which I shall eventually announce my discovery, though I
daresay I shall have hard work to do without it. But meanwhile, just
to hasten that difficult birth, can’t you give a fellow a clue?” I felt
much more at my ease.
“My whole lucid effort gives him a clue--every page and line and letter.
The thing’s as concrete there as a bird in a cage, a bait on a hook, a
piece of cheese in a mouse-trap. It’s stuck into every volume as your
foot is stuck into your shoe. It governs every line, it chooses every
word, it dots every i, it places every comma.”
I scratched my head. “Is it something in the style or something in the
thought? An element of form or an element of feeling?”
He indulgently shook my hand again, and I felt my questions to be crude
and my distinctions pitiful. “Good-night, my dear boy--don’t bother
about it. After all, you do like a fellow.”
“And a little intelligence might spoil it?” I still detained him.
He hesitated. “Well, you’ve got a heart in your body. Is that an element
of form or an element of feeling? What I contend that nobody has ever
mentioned in my work is the organ of life.”
“I see--it’s some idea about life, some sort of philosophy. Unless it
be,” I added with the eagerness of a thought perhaps still happier,
“some kind of game you’re up to with your style, something you’re after
in the language. Perhaps it’s a preference for the letter P!” I ventured
profanely to break out. “Papa, potatoes, prunes--that sort of thing?” He
was suitably indulgent: he only said I hadn’t got the right letter. But
his amusement was over; I could see he was bored. There was nevertheless
something else I had absolutely to learn. “Should you be able, pen in
hand, to state it clearly yourself--to name it, phrase it, formulate
it?”
“Oh,” he almost passionately sighed, “if I were only, pen in hand, one
of _you_ chaps!”
“That would be a great chance for you of course. But why should you
despise us chaps for not doing what you can’t do yourself?”
Public-domain text, read in full here on John Shaqi.
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