Emblematic Illumination; or Forms, Colours and Emblems: Suitable for Illuminating Texts of Holy Scripture in Large Style, in Oils or Water-colours.
Religion
Emblematic Illumination; or Forms, Colours and Emblems: Suitable for Illuminating Texts of Holy Scripture in Large Style, in Oils or Water-colours.
Illumination of books and manuscripts; Initials
[Sidenote: Water-gold Size.] [Sidenote: Gold-leaf.] Leaf-gold is
considered the most durable, is beautifully bright, and repays the
trouble of its application. A "book" containing 25 leaves costs 1_s._
6_d._, or 100 leaves for 4_s. Water-gold size_ seems to be the
simplest preparation, 1_s._ 6_d._ per box. This size is used like a
moist colour, with water. Paint the surface to be gilded, smoothly
and rather thickly, carefully preserving the edges clear and sharp.
Let it stand until, on touching the size lightly with the finger, it
is found to be sticky, _but not moist_, so as to smear. While the
size is drying, take a piece of common writing-paper (not too highly
glazed), rub it over slightly and briskly with a piece of white wax
(in two or three strokes), lay it on a leaf of gold which will adhere
to the paper.[9] With a large, _sharp_ pair of scissors, cut both
paper and gold-leaf into a piece rather larger than the surface to
be gilded, and the size being just sticky, lay the gold down upon
it, keeping the paper still in its place; press it _very gently_ and
smoothly all over with a ball of cotton-wool, as if you were pasting
it down: breathe on the paper, then remove it, and let the gold
remain undisturbed about half an hour, or longer. Then, with a large,
dry brush, in light, sharp touches, brush away the superfluous gold,
and the work is completed.
[9] Another method is to pass the piece of writing-paper sharply
and briskly over your hair, two or three times, which, charging it
slightly with electricity, will make the paper adhesive, so that
the gold-leaf will be taken up by it.
There are other methods of applying gold-leaf, but this is given as
the simplest. A gilder's tip (a flat brush) is generally used, but
requires skill in handling, which remark applies also to the gilder's
palette and knife.
Any corners to which the gold has not adhered may be retouched with
the size, and gilded as before. Be careful not to touch the gold with
the fingers, or it will be quite spoilt. If the leaf curls up upon
the paper, it can be blown down with a gentle breath.
[Sidenote: Raised Gold.] There is an "Illuminating Raising
Preparation" at 1_s._ 6_d._ per bottle, which may be found useful,
and may be painted over with Bessemer's, or water-gold; it would,
however, add to the difficulty of applying gold-leaf, unless the hand
were previously well practised.
[Sidenote: Silver.] SILVER is sold in shells; a water-colour, but it
quickly tarnishes.
[Sidenote: Aluminium.] Aluminium is sold in shells (a water-colour),
and is a good substitute for silver; although not equal in beauty, it
is said not to tarnish. Being a recent discovery, it has not yet had
the test of long experience. Aluminium is used in touches upon white
flowers, or the emblem of the dove, previously softly shaded with
neutral tint. These shell metals cost about 6_d._ and upwards.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account