Emblematic Illumination; or Forms, Colours and Emblems: Suitable for Illuminating Texts of Holy Scripture in Large Style, in Oils or Water-colours.
Religion
Emblematic Illumination; or Forms, Colours and Emblems: Suitable for Illuminating Texts of Holy Scripture in Large Style, in Oils or Water-colours.
Illumination of books and manuscripts; Initials
Purple (violet, or amethyst) signifies, therefore, first, royalty.
It was also the ancient symbol of love and truth, or passion and
suffering; "hence it was the colour often worn by the martyrs: in
the Spanish schools, the colour of our SAVIOUR'S mantle is generally
a rich deep violet". In some instances, our SAVIOUR, after His
resurrection, is habited in a violet instead of a blue mantle. This
would, doubtless, refer to its royal, victorious signification. The
Blessed Virgin is represented in "violet, after the crucifixion"--of
course in token of deepest mourning. "Mary Magdalene, who, as patron
saint, wears the red robe, as penitent wears violet and blue, the
colours of sorrow and constancy."
We may now easily understand why purple has been accepted as the
Church's mourning colour. Although so beautiful when represented in
the clearness of stained glass, purple is but little used in large
illuminations, excepting sometimes as a ground-colour; chiefly,
perhaps, because so difficult to produce in a sufficiently bright,
pure tint, as compared to the red and blue.
[Sidenote: White.] WHITE is essentially the emblem of light and
saintly purity. Of the first, because the finest light is white; of
the second, I need hardly quote the reason,--[Sidenote: Rev. xix. 8.]
"And to her was granted that she should be arrayed in fine linen,
clean and white: for the fine linen is the righteousness of the
saints."
[Sidenote: Isa. i. 18.] [Sidenote: Ps. li. 7.] Typical, also, of
forgiveness: "Though your sins be as scarlet, they shall be as white
as snow." "Wash me, and I shall be whiter than snow."
The symbol also of wisdom, innocence, faith, joy, integrity,
humility: of glory, perfection, and regeneration; for white contains
all colours. Solomon says, [Sidenote: Eccles. ix. 8.] "Let your
garments be always white."
Thus I have enumerated the colours more especially devoted to the
Church.
[Sidenote: Emerald Green.] EMERALD GREEN has been latterly
introduced; and though, from its inferior richness when contrasted
with other colours, it should be _sparingly_ employed in
illuminations, it may occasionally assist in producing a very
pleasing effect, especially in floriations and ornamental stops.
Beautiful emblematic meanings are attached to this colour,--namely,
hope in immortality, eternity, victory. This last, because green is
the colour of laurel and palm.
[Sidenote: Grey.] GREY, the colour of ashes, anciently signified
mourning, humility, and innocence accused. This colour is sometimes
employed in ground-work, not for letters.
[Sidenote: Black.] BLACK is, of course, employed only as being useful
and distinct, without symbolism. It is adapted to all words of minor
importance, and to intermediate stops; also, of course, for the
stalks and veins of leaves, and stems of branches, &c.
Public-domain text, read in full here on John Shaqi.
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