Eminent literary and scientific men of Italy, Spain, and Portugal. Vol. 2 (of 3)Shelley, Mary Wollstonecraft
History
Eminent literary and scientific men of Italy, Spain, and Portugal. Vol. 2 (of 3)
Shelley, Mary Wollstonecraft
Authors -- Biography; Scientists -- Biography
At Rome, at least, he continued to cultivate his poetic tastes. He
produced several poems which kept alive his fame. On occasion of the
marriage of his patron, the duke of Braschi, he wrote an ode entitled
"Beauty of the Universe;" and he celebrated the journey of Pius VI. to
the imperial court in a poem entitled the "Apostolic Pilgrim." But he
aspired to signalise himself by some greater work, and long meditated
writing a tragedy. As early as 1779 he writes to a friend,--"I am weary
of writing verses on frivolous subjects. A tragic drama is the notion
that most delights me. But how can I satisfy the craving I have to write
a tragedy, since I am not able to tranquillise my mind, and am occupied
by affairs which have no connection with poetry? An hundred times I have
begun, and as often broken off." And in another letter he expresses a
feeling which has often entered the mind of any one deeply interested in
carrying on some literary labour:--"I have a ravenous desire," he says,
"to write tragedies, which preys upon me. This is my madness; and I am
in despair, because I fear to die before I finish one."
His ambition was further excited by the emulation inspired by Alfieri.
This great tragedian was now residing at Rome; and Monti was present
when he read his "Virginia" in a society composed of the most celebrated
literati of the day. Monti listened with transport, and, burning with a
desire to rival this production, he instantly began his tragedy of
"Aristodemo," founded on a story he had read a few days before in
Pausanias. He was the more eager to accomplish his purpose, as lie
perceived the faults of Alfieri's style, and hoped to avoid them. The
fecundity of his imagination rendered it easy for him to rise above the
baldness and unideal versification of his rival; so that it has been
pronounced, that a perfect tragedy would be produced, were "the grandeur
and penetration of Alfieri adorned by the style of Monti." "Aristodemo"
was acted with the greatest success at Rome in 1787. Monti writes to a
friend,--"My tragedy was represented yesterday evening at the theatre of
Valle. I was not present; but when it was over, my house was inundated
by my acquaintances, who seemed mad with delight. I ought not to mention
this, but I write to a friend, and I assure you that every one agrees
that so great a success and so much enthusiasm was never known at Rome
before."
Public-domain text, read in full here on John Shaqi.
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