Enamels and Cameos and other PoemsGautier, Théophile
General
Enamels and Cameos and other Poems
Gautier, Théophile
French poetry -- Translations into English
Oh! all dear Venice with her towers,
Her boats, her masquers boon,
Her sweet chagrins, her mad, gay hours,
Throbs in that ancient tune.
The tenuous, vibrant chords that smite,
Rebuild in subtle way
The city joyous, free and light
Of Canaletto's day!
III
CARNIVAL
Venice robes her for the ball;
Decked with spangles bright,
Multi-coloured Carnival
Teems with laughter light.
Harlequin with negro mask,
Tights of serpent hue,
Beateth with a note fantasque
His Cassander true.
Flapping loose his long, white sleeve,
Like a penguin spread,
Through a subtle semibreve
Pierrot thrusts his head.
Sleek Bologna's doctor goes
Maundering on a bass.
Punchinello finds for nose
Quaver on his face.
Hurtling Trivellino fine,
On a trill intent,
Scaramouch to Columbine
Gives the fan she lent.
Gliding to the tune, I mark
One veiled figure rise,
While through satin lashes dark
Luring gleam her eyes.
Tender little edge of lace,
Heaving with her breath!
"Under is her own dear face!"
An arpeggio saith.
And beneath the mask I know
Bloom of rosy lips,
And the patch on chin of snow,
As she by me trips!
IV
MOONLIGHT
Amid the chatter gay and mad
Saint Mark to Lido wafts, a tune
Like as a rocket riseth glad
As fountain riseth to the moon.
But in that air with laughter stirred,
That shakes its bells far out to sea,
Regret, a little stifled bird,
Mingles its frail sob audibly.
And in a mist of memory clad,
Like dream well-nigh effaced, I view
The sweet Beloved, fair and sad,
Of dear, long-vanished days I knew.
Ah, pale she is! My soul in tears
An April day remembers yet:--
We sought the violets by the meres,
And in the grass our fingers met. . .
The vibrant note of violin
Is the child voice that struck my heart,
Exquisite, plaintive, argentine,
With all the anguish of its dart.
So sweetly, falsely, doth it steal,
So cruel, yet so tender, too,
So cold, so burning, that I feel
A deadly pleasure pierce me through;
Until my heart, an archway deep
Whose waters feed the fountain's lip,
Lets tears of blood in silence weep
Into my bosom drip by drip.
O Carnival of Venice!--theme
So chilling sad, yet ever warm!
Where laughter toucheth tears supreme,--
How hast thou hurt me with thy charm!
SYMPHONY IN WHITE MAJOR
In the Northern tales of eld,
From the Rhine's escarpments high
Swan-women radiant were beheld,
Singing and floating by,
Or, leaving their plumage bright
On a bough that was bending low,
Displaying skin more gleaming white
Than the white of their down of snow.
At times one comes our way,--
Of all she is pallidest,
White as the moonbeam's shivering ray
On a glacier's icy crest.
Her boreal bloom doth win
Our eyes to feasting rare
On rich delight of nacreous skin,
And a wealth of whiteness fair.
Her rounded breasts, pale globes
Of snow, wage insolent war
With her camellias and her robes
Of whiteness nebular.
In such white wars supreme
She wins, and weft and flower
Leave their revenge's right, and seem
Yellowed with envy's hour.
Public-domain text, read in full here on John Shaqi.
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