In Crete, which for nearly two centuries after the fall of
Constantinople remained under Venetian rule, a school of Greek poetry
arose strongly impressed with Italian influences. The language employed
is the dialect of the Candiotes, with its large admixture of Venetian
words. The first product of this somewhat hybrid literature was
_Erotocritos_, an epic poem in five cantos, which relates the love story
of Arete, daughter of Hercules, king of Athens, and Erotocritos, the son
of his minister. The poem presents an interesting picture of Greece
under the feudal Frankish princes, though professing to describe an
episode of the classical epoch; notwithstanding some tedious passages,
it possesses considerable merit and contains some charming scenes. The
metre is the rhymed alexandrine. Of the author, Vicence Cornaro, who
lived in the middle or end of the 16th century, little is known; he
probably belonged to the ducal family of that name, from which Tasso was
descended. The second poem is the _Erophile_ of George Chortakis, a
Cretan, also written in the Candiote dialect. It is a tragic drama, the
scene of which is laid in Egypt. The dialogue is poor, but there are
some fine choral interludes, which perhaps are by a different hand.
Chortakis, who was brought up at Retimo, lived at the end of the 16th
and beginning of the 17th centuries. The third Cretan poem worthy of
notice is the _Shepherdess_, a charming and graceful idyll written by
Nicolas Drimyticos, a native of Apokorona, early in the 17th century.
Other Cretan poets were J. Gregoropoulos and G. Melissinos (1500), who
wrote epigrams, and Maroulos (1493), who endeavoured to write Pindaric
odes.
Literary activity after the fall of Constantinople.
Public-domain text, read in full here on John Shaqi.
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