tongues," and again (p. 52):--
"In Marathi we see the results of the Pandit's file applied to a form
of speech originally possessed of much natural wildness and licence.
The hedgerows have been pruned and the wild briars and roses trained
into order. It is a copious and beautiful language, second only to
Hindi. It has three genders, and the same elaborate preparation of the
base as Sindhi, and, owing to the great corruption which has taken
place in its terminations, the difficulty of determining the gender of
nouns is as great in Marathi as in German. In fact, if we were to
institute a parallel in this respect, we might appropriately describe
Hindi as the English, Marathi as the German of the Indian group--Hindi
having cast aside whatever could possibly be dispensed with, Marathi
having retained whatever has been spared by the action of time. To an
Englishman Hindi commends itself by its absence of form, and the
positional structure of its sentences resulting therefrom; to our
High-German cousins the Marathi, with its fuller array of genders,
terminations, and inflexions, would probably seem the completer and
finer language."
In the article PRAKRIT it is explained that the literary Prakrits were
not the direct parents of the modern Indo-Aryan vernaculars. Each
Prakrit had first to pass through an intermediate stage--that of the
Apabhramsa--before it took the form current at the present day. While we
know a good deal about Maharastri and very little about Sauraseni
Prakrit, the case is reversed in regard to their respective Apabhramsas.
The Saurasena Apabhramsa is the only one concerning which we have
definite information. Although it would be quite possible to reason from
analogy, and thus to obtain what would be the corresponding forms of
Maharastra Apabhramsa, we should often be travelling upon insecure
ground, and it is therefore advisable to compare Marathi, not with the
Apabhramsa from which it is immediately derived, but with its
grandmother, Maharastri Prakrit. We shall adopt this course, so far as
possible, in the following pages.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account