He died on the 5th of August 1903. There was an exhibition of his drawings at the Fine Arts Society in 1895, and another at the Leicester Galleries in 1903. A selection of his drawings contributed to the periodical press and from _Phil May's Annual_ and _Phil May's Sketch Books_, with a portrait and biography of the artist, entitled _The Phil May Folio_, appeared in 1903. MAY, THOMAS (1595-1650), English poet and historian, son of Sir Thomas May of Mayfield, Sussex, was born in 1595. He entered Sidney Sussex College, Cambridge, in 1609, and took his B.A. degree three years later. His father having lost his fortune and sold the family estate, Thomas May, who was hampered by an impediment in his speech, made literature his profession. In 1620 he produced _The Heir_, an ingeniously constructed comedy, and, probably about the same time, _The Old Couple_, which was not printed until 1658. His other dramatic works are classical tragedies on the subjects of Antigone, Cleopatra, and Agrippina. F. G. Fleay has suggested that the more famous anonymous tragedy of _Nero_ (printed 1624, reprints in A. H. Bullen's _Old English Plays_ and the _Mermaid Series_) should also be assigned to May. But his most important work in the department of pure literature was his translation (1627) into heroic couplets of the _Pharsalia_ of Lucan. Its success led May to write a continuation of Lucan's narrative down to the death of Caesar. Charles I. became his patron, and commanded him to write metrical histories of Henry II. and Edward III., which were completed in 1635. When the earl of Pembroke, then lord chamberlain, broke his staff across May's shoulders at a masque, the king took him under his protection as "my poet," and Pembroke made him an apology accompanied with a gift of £50. These marks of the royal favour seem to have led May to expect the posts of poet-laureate and city chronologer when they fell vacant on the death of Ben Jonson in 1637, but he was disappointed, and he forsook the court and attached himself to the party of the Parliament. In 1646 he is styled one of the "secretaries" of the Parliament, and in 1647 he published his best known work, _The History of the Long Parliament_. In this official apology for the moderate or Presbyterian party, he professes to give an impartial statement of facts, unaccompanied by any expression of party or personal opinion. If he refrained from actual invective, he accomplished his purpose, according to Guizot, by "omission, palliation and dissimulation." Accusations of this kind were foreseen by May, who says in his preface that if he gives more information about the Parliament men than their opponents it is that he was more conversant with them and their affairs. In 1650 he followed this with another work written with a more definite bias, a _Breviary of the History of the Parliament of England_, in Latin and English, in which he defended the position of the Independents. He stopped short of