England -- Description and travel; England -- Social life and customs
In the wealthiest class the house is perfectly managed. It seems to run
like the fabled machine of perpetual motion. There is no sign of the
driving-power, no racket, no effort. Breakfast is a meal of charming
informality, which, I think, illustrates best the domestic ideals of the
Englishman. Self-help from amply furnished sideboards and from tea and
coffee urns is the rule. There is no fixed moment for coming to breakfast,
and, since you help yourself, no servants need to be in attendance. How
pleasantly thought-out is this idea! You have not the urging to an
inconvenient punctuality of the thought that you are keeping servants
waiting. Dinner is a ceremony of ritual. It is the social crown of the day.
You are expected to treat it with the considerateness due to its
importance. To be asked to dinner is the sign of the Englishman's complete
acceptance of you as a desirable person. (He may ask you to lunch without
admitting quite as much.) To be asked, casually, "to eat with us" at dinner
time shows a degree of friendliness which is willing to allow some
familiarity.
It is because the luxury of upper-class life in England is so suave and so
refined that it does not challenge antagonism as does the arrogant wealth
of other lands. An English manor house, such as Stoke Court--once upon a
time the house of the poet Grey--is, from its beautiful surroundings to the
last detail of a curtain, as fine a product as civilisation can show. And
the Englishman's home is for himself, his friends, and, in so far as it can
claim to be of any public interest, for the enjoyment also of the mass of
his fellow-countrymen.
The casual traveller through London may, on several days of the year, see a
great crowd of omnibuses and drags outside Buckingham Palace, and learn
that the grounds of the King's palace had been that day thrown open to the
public. To a large extent the royal palaces thus welcome the people as
guests; and the great houses of the nobility, which have fine collections
of paintings, are in very many cases treated as semi-public institutions.
This shows a fine public spirit and feeling of common patriotism between
classes.
The middle class fashions itself, as closely as it can, on the upper class.
Its home is often as admirably managed, though on a smaller scale. Its
observance of etiquette is more rigid, especially in the "lower middle
class." Smooth home-management is the Englishman's (or the Englishwoman's)
gift. The domestic economy of the country cottager seems generally good,
but the city worker often makes the mistake of trying to ape the standards
of richer people, sacrificing a good deal of material comfort to have, for
instance, his "drawing-room" or parlour.
But on the whole the Englishman's home proves as high a standard of taste
and good feeling as the twentieth century can offer. It is a fine reward
for the work-doer, a fine fortress from which to issue forth to work. Let
us now see England at play.
Public-domain text, read in full here on John Shaqi.
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