England, My EnglandLawrence, D. H. (David Herbert)
General
England, My England
Lawrence, D. H. (David Herbert)
England -- Social life and customs -- 20th century -- Fiction; Short stories, English
The reason for this reluctance to dismount is that the nights are
howlingly cold, black, and windswept, and a car is a haven of refuge.
From village to village the miners travel, for a change of cinema, of
girl, of pub. The trams are desperately packed. Who is going to risk
himself in the black gulf outside, to wait perhaps an hour for another
tram, then to see the forlorn notice “Depot Only,” because there is
something wrong! Or to greet a unit of three bright cars all so tight
with people that they sail past with a howl of derision. Trams that
pass in the night.
This, the most dangerous tram-service in England, as the authorities
themselves declare, with pride, is entirely conducted by girls, and
driven by rash young men, a little crippled, or by delicate young men,
who creep forward in terror. The girls are fearless young hussies. In
their ugly blue uniform, skirts up to their knees, shapeless old peaked
caps on their heads, they have all the _sang-froid_ of an old
non-commissioned officer. With a tram packed with howling colliers,
roaring hymns downstairs and a sort of antiphony of obscenities
upstairs, the lasses are perfectly at their ease. They pounce on the
youths who try to evade their ticket-machine. They push off the men at
the end of their distance. They are not going to be done in the eye—not
they. They fear nobody—and everybody fears them.
“Hello, Annie!”
“Hello, Ted!”
“Oh, mind my corn, Miss Stone. It’s my belief you’ve got a heart of
stone, for you’ve trod on it again.”
“You should keep it in your pocket,” replies Miss Stone, and she goes
sturdily upstairs in her high boots.
“Tickets, please.”
She is peremptory, suspicious, and ready to hit first. She can hold her
own against ten thousand. The step of that tram-car is her Thermopylæ.
Therefore, there is a certain wild romance aboard these cars—and in the
sturdy bosom of Annie herself. The time for soft romance is in the
morning, between ten o’clock and one, when things are rather slack:
that is, except market-day and Saturday. Thus Annie has time to look
about her. Then she often hops off her car and into a shop where she
has spied something, while the driver chats in the main road. There is
very good feeling between the girls and the drivers. Are they not
companions in peril, shipments aboard this careering vessel of a
tram-car, for ever rocking on the waves of a stormy land?
Then, also, during the easy hours, the inspectors are most in evidence.
For some reason, everybody employed in this tram-service is young:
there are no grey heads. It would not do. Therefore the inspectors are
of the right age, and one, the chief, is also good-looking. See him
stand on a wet, gloomy morning, in his long oil-skin, his peaked cap
well down over his eyes, waiting to board a car. His face is ruddy, his
small brown moustache is weathered, he has a faint impudent smile.
Fairly tall and agile, even in his waterproof, he springs aboard a car
and greets Annie.
Public-domain text, read in full here on John Shaqi.
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