English Cathedrals Illustrated: Second and Revised Edition — John Shaqi
English Cathedrals Illustrated: Second and Revised EditionBond, Francis
History
English Cathedrals Illustrated: Second and Revised Edition
Bond, Francis
Cathedrals -- England; Cathedrals -- Wales
Surely one hears the trumpet on the dusty field of Meeanee, and the word
of command of the stern old general. The inscription can be by none other
but Sir Charles Napier. There is not much in verse that rings like these
few lines of prose.
The Cathedral Church of the Holy Trinity, Chichester.
[Illustration: FROM NORTH-EAST.]
Chichester cathedral, though one of the smallest, is to the student
of mediæval architecture one of the most interesting and important of
our Cathedrals. At Salisbury one or two styles of architectures are
represented; at Canterbury two or three; at Chichester every single
style is to be seen without a break from the eleventh to the sixteenth
century. It is an epitome of English architectural history for 500 years.
Early Norman, late Norman, late Transitional, early Lancet, late Lancet,
early Geometrical, late Geometrical, Curvilinear, Perpendicular and
Tudor work all appear in the structure side by side. We have many other
heterogeneous and composite cathedrals, but nowhere, except perhaps at
Hereford, can the whole sequence of the mediæval styles be read so well
as at Chichester.
The last kingdom, says Canon Bright, that remained outside the Church,
was that of the South Saxons, hemmed in by a thick line of well-nigh
impenetrable forest, and so barbarous as to be at once ignorant of one
of the simplest arts, and furious against the incoming of foreigners. It
was reserved for the great Wilfrid, of Hexham, Ripon and York, in one of
his exiles (611)—caused originally by the high-handed partition of his
overlarge diocese of York—to do what no one as yet had done for these
poor rude heathen—what some Irish monks had tried to do and had failed.
They were desperate with famine; he taught them to fish in the sea; for
he was as ready in homely crafts of this kind as in adorning churches or
educating young nobles; and as Bede says, “by this kind act he turned
their hearts to love him; and they began the more willingly to hope for
heavenly blessings under his preaching, when by his assistance they had
received earthly good.”
Public-domain text, read in full here on John Shaqi.
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