English Critical Essays: Nineteenth Century — John Shaqi
English Critical Essays: Nineteenth Century
History
English Critical Essays: Nineteenth Century
Criticism; English essays; English poetry -- 19th century -- History and criticism; Poetry
Now it is clear to me, that in the most interesting of the poems, in
which the author is more or less dramatic, as the _Brothers_,
_Michael_, _Ruth_, the _Mad Mother_, &c., the persons introduced are
by no means taken from low or rustic life in the common acceptation of
those words; and it is not less clear, that the sentiments and
language, as far as they can be conceived to have been really
transferred from the minds and conversation of such persons, are
attributable to causes and circumstances not necessarily connected
with ‘their occupations and abode’. The thoughts, feelings, language,
and manners of the shepherd-farmers in the vales of Cumberland and
Westmoreland, as far as they are actually adopted in those poems, may
be accounted for from causes, which will and do produce the same
results in every state of life, whether in town or country. As the two
principal I rank that INDEPENDENCE, which raises a man above
servitude, or daily toil for the profit of others, yet not above the
necessity of industry and a frugal simplicity of domestic life; and
the accompanying unambitious, but solid and religious, EDUCATION,
which has rendered few books familiar, but the Bible, and the liturgy
or hymnbook. To the latter cause, indeed, which is so far accidental,
that it is the blessing of particular countries and a particular age,
not the product of particular places or employments, the poet owes the
show of probability, that his personages might really feel, think, and
talk with any tolerable resemblance to his representation. It is an
excellent remark of Dr. Henry More’s that ‘a man of confined
education, but of good parts, by constant reading of the Bible will
naturally form a more winning and commanding rhetoric than those that
are learned: the intermixture of tongues and of artificial phrases
debasing their style’.
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