English Critical Essays: Nineteenth Century — John Shaqi
English Critical Essays: Nineteenth Century
History
English Critical Essays: Nineteenth Century
Criticism; English essays; English poetry -- 19th century -- History and criticism; Poetry
It is, moreover, to be considered that to the formation of healthy
feelings, and a reflecting mind, negations involve impediments not
less formidable than sophistication and vicious intermixture. I am
convinced, that for the human soul to prosper in rustic life a certain
vantage-ground is pre-requisite. It is not every man that is likely to
be improved by a country life or by country labours. Education, or
original sensibility, or both, must pre-exist, if the changes, forms,
and incidents of nature are to prove a sufficient stimulant. And where
these are not sufficient, the mind contracts and hardens by want of
stimulants: and the man becomes selfish, sensual, gross, and
hard-hearted. Let the management of the POOR LAWS in Liverpool,
Manchester, or Bristol be compared with the ordinary dispensation of
the poor rates in agricultural villages, where the farmers are the
overseers and guardians of the poor. If my own experience have not
been particularly unfortunate, as well as that of the many respectable
country clergymen with whom I have conversed on the subject, the
result would engender more than scepticism concerning the desirable
influences of low and rustic life in and for itself. Whatever may be
concluded on the other side, from the stronger local attachments and
enterprising spirit of the Swiss, and other mountaineers, applies to a
particular mode of pastoral life, under forms of property that permit
and beget manners truly republican, not to rustic life in general, or
to the absence of artificial cultivation. On the contrary the
mountaineers, whose manners have been so often eulogized, are in
general better educated and greater readers than men of equal rank
elsewhere. But where this is not the case, as among the peasantry of
North Wales, the ancient mountains, with all their terrors and all
their glories, are pictures to the blind, and music to the deaf.
I should not have entered so much into detail upon this passage, but
here seems to be the point, to which all the lines of difference
converge as to their source and centre;--I mean, as far as, and in
whatever respect, my poetic creed does differ from the doctrines
promulgated in this preface. I adopt with full faith the principle of
Aristotle, that poetry, as poetry, is essentially ideal, that it
avoids and excludes all accident; that its apparent individualities
of rank, character, or occupation must be representative of a class;
and that the persons of poetry must be clothed with generic
attributes, with the common attributes of the class: not with such as
one gifted individual might possibly possess, but such as from his
situation it is most probable beforehand that he would possess. If my
premises are right and my deductions legitimate, it follows that there
can be no poetic medium between the swains of Theocritus and those of
an imaginary golden age.
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