England -- Description and travel; James, Henry, 1843-1916 -- Travel -- England
I have not the conscience to talk about Hampstead, and what a pleasant
thing it is to ascend the long hill which overhangs, as it were, St.
John’s Wood and begins at the Swiss Cottage—you must mount from there,
it must be confessed, as you can—and pick up a friend at a house of
friendship on the top, and stroll with him on the rusty Heath, and
skirt the garden walls of the old square Georgian houses which survive
from the time when, near as it is to-day to London, the place was a
kind of provincial centre, with Joanna Baillie for its muse, and take
the way by the Three Spaniards—I would never miss that—and look down
at the smoky city or across at the Scotch firs and the red sunset. It
would never do to make a tangent in that direction when I have left
Kensington unsung and Bloomsbury unattempted, and have said never
a word about the mighty eastward region—the queer corners, the dark
secrets, the rich survivals and mementoes of the City. I particularly
regret having sacrificed Kensington, the once-delightful, the
Thackerayan, with its literary vestiges, its quiet, pompous red palace,
its square of Queen Anne, its house of Lady Castlewood, its Greyhound
tavern, where Henry Esmond lodged.
But I can reconcile myself to this when I reflect that I have also
sacrificed the Season, which doubtless, from an elegant point of view,
ought to have been the central _morceau_ in the panorama. I have noted
that the London-lover loves everything in the place, but I have not
cut myself off from saying that his sympathy has degrees, or from
remarking that the sentiment of the author of these pages has never
gone all the way with the dense movement of the British carnival. That
is really the word for the period from Easter to midsummer; it is a
fine, decorous, expensive, Protestant carnival, in which the masks
are not of velvet or silk, but of wonderful deceptive flesh and blood,
the material of the most beautiful complexions in the world. Holding
that the great interest of London is the sense the place gives us
of multitudinous life, it is doubtless an inconsequence not to care
most for the phase of greatest intensity. But there is life and life,
and the rush and crush of these weeks of fashion is after all but a
tolerably mechanical expression of human forces. Nobody would deny
that it is a more universal, brilliant, spectacular one than can be
seen anywhere else; and it is not a defect that these forces often take
the form of women extremely beautiful. I risk the declaration that the
London season brings together year by year an unequalled collection
of handsome persons. I say nothing of the ugly ones; beauty has at the
best been allotted to a small minority, and it is never, at the most,
anywhere, but a question of the number by which that minority is least
insignificant.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account