England -- Description and travel; James, Henry, 1843-1916 -- Travel -- England
Morley’s Hotel proved indeed to be a ruddy spot; brilliant, in my
recollection, is the coffee-room fire, the hospitable mahogany, the
sense that in the stupendous city this, at any rate for the hour,
was a shelter and a point of view. My remembrance of the rest of the
evening—I was probably very tired—is mainly a remembrance of a vast
four-poster. My little bedroom-candle, set in its deep basin, caused
this monument to project a huge shadow and to make me think, I scarce
knew why, of “The Ingoldsby Legends.” If at a tolerably early hour the
next day I found myself approaching St. Paul’s, it was not wholly in
obedience to the old gentleman in the railway-carriage: I had an errand
in the City, and the City was doubtless prodigious. But what I mainly
recall is the romantic consciousness of passing under the Temple Bar,
and the way two lines of “Henry Esmond” repeated themselves in my mind
as I drew near the masterpiece of Sir Christopher Wren. “The stout,
red-faced woman” whom Esmond had seen tearing after the staghounds over
the slopes at Windsor was not a bit like the effigy “which turns its
stony back upon St. Paul’s and faces the coaches struggling up Ludgate
Hill.” As I looked at Queen Anne over the apron of my hansom—she struck
me as very small and dirty, and the vehicle ascended the mild incline
without an effort—it was a thrilling thought that the statue had been
familiar to the hero of the incomparable novel. All history appeared to
live again, and the continuity of things to vibrate through my mind.
To this hour, as I pass along the Strand, I take again the walk I
took there that afternoon. I love the place to-day, and that was the
commencement of my passion. It appeared to me to present phenomena,
and to contain objects of every kind, of an inexhaustible interest;
in particular it struck me as desirable and even indispensable that I
should purchase most of the articles in most of the shops. My eyes rest
with a certain tenderness on the places where I resisted and on those
where I succumbed. The fragrance of Mr. Rimmel’s establishment is again
in my nostrils; I see the slim young lady (I hear her pronunciation)
who waited upon me there. Sacred to me to-day is the particular aroma
of the hair-wash that I bought of her. I pause before the granite
portico of Exeter Hall (it was unexpectedly narrow and wedge-like), and
it evokes a cloud of associations which are none the less impressive
because they are vague; coming from I don’t know where—from “Punch,”
from Thackeray, from volumes of the “Illustrated London News” turned
over in childhood; seeming connected with Mrs. Beecher Stowe and “Uncle
Tom’s Cabin.” Memorable is a rush I made into a glover’s at Charing
Cross—the one you pass, going eastward, just before you turn into the
station; that, however, now that I think of it, must have been in the
morning, as soon as I issued from the hotel. Keen within me was a sense
of the importance of deflowering, of despoiling the shop.
Public-domain text, read in full here on John Shaqi.
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