English Lands, Letters and Kings, vol. 1: From Celt to Tudor — John Shaqi
English Lands, Letters and Kings, vol. 1: From Celt to TudorMitchell, Donald Grant
History
English Lands, Letters and Kings, vol. 1: From Celt to Tudor
Mitchell, Donald Grant
English literature -- History and criticism; Great Britain -- Intellectual life
Was as fresh as is the month of May;
Schort was his goune, with sleevës long and wide,
Well coude he sit on hors, and fairë ride.
He coudë songës make and wel endite,
Joust and eke dance, and wel portray and write.
Then there comes the charming Prioress--
Ycleped Madame Eglantine.
Ful well she sang the servicë divine,
Entunëd in hir nose ful semëly:
And Frensch she spak ful fair and fetisly,
After the scole of Stratford attë Bowe,
For Frensch of Paris was to hir unknowe.
…
Full fetys was her cloke, as I was waar
Of smal coral aboute hir arme she baar
A paire of bedës gauded all with grene,
And thereon heng a broch of gold ful schene
On which was first y-writ a crownéd A,
And after--_Amor Vincit Omnia_!
Then comes the Monk, who has a shiny pate, who is stout, well fed,
pretentious; his very trappings make a portrait--
And when he rood, men might his bridel heere
Gingling in a whistlyng wynd as cleere
And eek as loude as doth the chapel belle.
Again, there was a Friar--a wanton and a merry one--rollicksome, and
loving rich houses only,
----who lispéd for his wantonnesse,
To make his Englissch swete upon his tunge;
His eyen twinkled in his hed aright
As do the starrës in the frosty night.
And among them all goes, with mincing step, the middle-aged, vulgar,
well-preserved, coquettish, shrewish Wife of Bath:
Hir hosen weren of fyn scarlet reed,
Ful streyte y-tied, and schoos ful moiste and newe,
Bold was her face, and faire and reed of hewe.
And so--on, and yet on--for the twenty or more; all touched with those
little, life-like strokes which only genius can command, and which keep
the breath in those old Pilgrims to Canterbury, as if they travelled
there, between the blooming hedge rows, on every sunshiny day of every
succeeding spring.
I know that praise of these and of the way Chaucer marshals them at the
Tabard, and starts them on their way, and makes them tell their stories,
is like praise of June or of sunshine. All poets and all readers have
spoken it ever since the morning they set out upon their journeyings; and
many an American voyager of our day has found best illumination for that
pleasant jaunt through County Kent toward the old towers of Canterbury
in his recollections of Chaucer’s Pilgrims. It is true that the poet’s
wayside marks are not close or strong; no more does a meteor leave other
track than the memory of its brightness. We cannot fix of a surety upon
the “ale-stake” where the Pardoner did “byten on a cake,” and there may
be some doubt about the “litel” town
which that y-cleped is, Bob-up-and-Down.
Public-domain text, read in full here on John Shaqi.
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