English Lands, Letters and Kings, vol. 1: From Celt to Tudor — John Shaqi
English Lands, Letters and Kings, vol. 1: From Celt to TudorMitchell, Donald Grant
History
English Lands, Letters and Kings, vol. 1: From Celt to Tudor
Mitchell, Donald Grant
English literature -- History and criticism; Great Britain -- Intellectual life
Take that old slight legend (everywhere current in the north of England)
of the little Christian boy, who was murdered by Jews, because he sang
songs in honor of the Virgin; and who--after death--still sang, and so
discovered his murderers. It is a bare rag of story, with only streaks of
blood-red in it; yet how tenderly touched, and how pathetically told, in
Chaucer’s tale of the Prioress!
It is a widow’s son--“sevene yeres of age”--and wheresoe’er he saw the
image
Of Christe’s moder, had he in usage,
As him was taught, to knele adown and say
His _Ave Marie!_ as he goth by the way.
Thus hath this widowe hire litel son y-taught
To worship aye, and he forgat it naughte.
And the “litel” fellow, with his quick ear, hears at school some day the
_Alma Redemptoris_ sung; and he asks what the beautiful song may mean? He
says he will learn it before Christmas, that he may say it to his “moder
dere.” His fellows help him word by word--line by line--till he gets it
on his tongue:
From word to word, acording with the note,
Twiës a day, it passed thro’ his throte.
At last he has it trippingly; so--schoolward and homeward,
as he cam to and fro
Full merrily than would he sing and crie,
O _Alma Redemptoris_ ever mó,
The sweetnesse hath his hertë perced so.
Through the Jews’ quarter he goes one day, singing this sweet song that
bubbles from him as he walks; and they--set on by Satan, who “hath in
Jewe’s herte his waspës nest”--conspire and plot, and lay hold on him,
and cut his throat, and cast him into a pit.
But--a wonder--a miracle!--still from the bleeding throat, even when life
is gone, comes the tender song, “_O Alma Redemptoris!_” And the wretched
mother, wandering and wailing, is led by the sweet, plaintive echoes,
whose tones she knows, to where her poor boy lies dead; and even as she
comes, he, with throte y-carven, his
_Alma Redemptoris_ gan to sing
So loude that al the placë gan to ring.
Then the Christian people take him up, and bear him away to the Abbey.
His mother lies swooning by the bier. They hang those wicked Jews--and
prepare the little body for burial and sprinkle it with holy water; but
still from the poor bleeding throat comes “evermo’” the song:
_O Alma Redemptoris mater!_
And the good Abbot entreats him to say, why his soul lingers, with his
throat thus all agape?
“My throte is cut unto my nekkë bone,”
Saidë this child, “and as by way of kynde,
I should have dyed, ye longë time agone,
But Jesu Christ, as ye in bookës finde,
Wol that his glory laste, and be in minde,
And for the worship of his moder dere,
Yet may I sing, ‘_O Alma!_’ loud and clere.”
But he says that as he received his death-blow, the Virgin came, and
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