“there was on the south side of the cloister door, a stool, or seat with four feet, and a back of wood joined to the said stool, which was made fast in the wall for the porter to sit on, which did keep the cloister door. And before the said stool it was boarded in under foot, for warmness. And he that was the last porter there was called Edward Pattinson.” The same account describes the cupboards near to the refectory door in which the monks kept their towels-- “All the forepart of the aumbry was thorough carved work, to give air to the towels.” There were “three doors in the forepart of either aumbry and a lock on every door, and every monk had a key for the said aumbries, wherein did hang in every one clean towels for the monks to dry their hands on, when they washed and went to dinner.” We who see the cold damp-stained cloisters of the old monastic buildings as they are to-day, as at Westminster for example, may well feel a difficulty in realising what they were in the time of their glory. Day after day for centuries the cloister was the centre of the activity of the religious establishment. The quadrangle was the place where the monks lived and studied and wrote. In the three sides--the northern, eastern, and western walks--were transacted the chief business of the house, other than what was merely external. Here the older monks laboured at the tasks appointed them by obedience, or discussed questions relating to ecclesiastical learning or regular observance, or at permitted times joined in recreative conversation. Here, too, in the parts set aside for the purpose, the younger members toiled at their studies under the eye of their teacher, learnt the monastic observance from the lips of the novice-master, or practised the chants and melodies of the Divine Office with the cantor or his assistant. How the work was done in the winter time, even supposing that the great windows looking out on to the cloister-garth were glazed or closed with wooden shutters, must ever remain a mystery. In some places, it is true, certain screenwork divisions appear to have been devised, so as to afford some shelter and protection to the elder members and scribes of the monastery from the sharper draughts inevitable in an open cloister. The account given in the _Rites of Durham_ on this point is worth quoting at length:--