English Pictures Drawn with Pen and Pencil — John Shaqi
English Pictures Drawn with Pen and PencilManning, Samuel
History
English Pictures Drawn with Pen and Pencil
Manning, Samuel
England -- Description and travel
To the lover of nature, forest scenery is beautiful at all seasons.
How pleasant is it, in the hot summer noon, to lie beneath the "leafy
screen," through which the sunlight flickers like golden rain; to watch
the multitudenous life around us--the squirrel flashing from bough to
bough, the rabbit darting past with quick, jerky movements, the birds
flitting hither and thither in busy idleness, the columns of insects
in ceaseless, aimless gliding motion--and to listen to the mysterious
undertone of sound which pervades rather than disturbs the silence!
Beautiful, too, are the woods when autumn has touched their greenery
with its own variety of hue. From the old Speech House of the Forest
of Dean we have looked out as on a billowy, far extending sea of
glory--elm, oak, beech, ash, maple, all with their own peculiar tints,
yet blending into one harmonious chord of colour in the light of the
westering sun; whilst from among them the holly and the yew stood out
like green islands set in an ocean of gold.
A little later in the year, and we tread among the rustling leaves,
whilst over us interlaces in intricate tracery a network of branches,
twigs, and sprays:--
"The ruined choirs where late the sweet birds sang."
Return a few weeks afterwards, and surely it will be felt that forest
scenery is never more fairy-like than when the bare boughs are feathered
with snowflakes, or sparkle with icicles, that flash like diamonds in
the wintry sunlight, or faintly tinkle overhead as they sway to and fro
in the icy breeze. Never is the forest more solemn than when, with a
sound like thunder or the raging sea, the wind tosses the giant branches
in wild commotion. We cannot wonder that Schiller delighted to wander
alone in the stormy midnight through the woods, listening to the tempest
which raged aloft, or that much of his grandest poetry was composed amid
scenes like these.
Nor must we forget the aspect of the woods in early spring, when Nature
is just awaking from her winter's sleep. It needs a quick eye to trace
the delicate shades of colour which then succeed each other--the dull
brown first brightening into a reddish hue, as the glossy leaf-cases
begin to expand, then a faint hint of tender green as the pale leaves
burst from their enclosure one after another, tinging with colour the
skeleton branches which they are soon to clothe with their beautiful
mantle.
"Mysterious round! What skill, what force divine,
Deep felt, in these appear! A simple train,
Yet so delightful, mixed with such kind art,
Such beauty and beneficence combined,
Shade unperceived so softening into shade.
And all so forming an harmonious whole,
That, as they still succeed, they ravish still."
Public-domain text, read in full here on John Shaqi.
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