English Prose: A Series of Related Essays for the Discussion and Practice of the Art of Writing
General
English Prose: A Series of Related Essays for the Discussion and Practice of the Art of Writing
English language -- Rhetoric; English language -- Style; English prose literature; Readers; Report writing -- Problems, exercises, etc.
The difference between the exoteric and the esoteric school of
mountaineers may be indicated by their different view of glaciers. At
Grindelwald, for example, it is the fashion to go and "see the
glaciers"--heaven save the mark! Ladies in costumes, heavy German
professors, Americans doing the Alps at a gallop, Cook's tourists, and
other varieties of a well-known genus, go off in shoals and see--what?
A gigantic mass of ice, strangely torn with a few of the exquisite blue
crevasses, but denied and prostrate in dirt and ruins. A stream foul
with mud oozes out from the base; the whole mass seems to be melting
fast away; the summer sun has evidently got the best of it in these
lower regions, and nothing can resist him but the great mounds of
decaying rock that strew the surface in confused lumps. It is as much
like the glacier of the upper regions as the melting fragments of snow
in a London street are like the surface of the fresh snow that has just
fallen in a country field. And by way of improving its attractions a
perpetual picnic is going on, and the ingenious natives have hewed a
tunnel into the ice, for admission to which they charge certain
centimes. The unlucky glacier reminds me at his latter end of a wretched
whale stranded on a beach, dissolving into masses of blubber, and hacked
by remorseless fishermen, instead of plunging at his ease in the deep
blue water. Far above, where the glacier begins his course, he is seen
only by the true mountaineer. There are vast amphitheatres of pure snow,
of which the glacier known to tourists is merely the insignificant
drainage, but whose very existence they do not generally suspect. They
are utterly ignorant that from the top of the icefall which they visit
you may walk for hours on the eternal ice. After a long climb you come
to the region where the glacier is truly at its noblest; where the
surface is a spotless white; where the crevasses are enormous rents
sinking to profound depths, with walls of the purest blue; where the
glacier is torn and shattered by the energetic forces which mould it,
but has an expression of superabundant power, like a full stream
fretting against its banks and plunging through the vast gorges that it
has hewn for itself in the course of centuries. The bases of the
mountains are immersed in a deluge of cockneyism--fortunately a shallow
deluge--whilst their summits rise high into the bracing air, where
everything is pure and poetical.
Public-domain text, read in full here on John Shaqi.
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