Ephemera Critica; Or, Plain Truths About Current LiteratureCollins, John Churton
History
Ephemera Critica; Or, Plain Truths About Current Literature
Collins, John Churton
Criticism; English literature -- History and criticism; Literature -- History and criticism
But to pass from what concerns Philology to what concerns Literature.
Now in considering this point it is necessary to remember that we are
not dealing with the regulations of any subordinate institution or
curriculum, with provincial Universities and seminaries, or with schemes
of study in which Literature is only one out of many subjects. We are
dealing with a Final Honour School at Oxford, with regulations which
will inevitably form a precedent and model wherever the study of English
literature shall be organized in Great Britain. We are dealing with a
school which is to educate those who are to educate the country.
Nothing, therefore, could be more disastrous than unsoundness and
deficiency in the provisions of such an institution, nothing more
deplorable than its giving countenance and authority to error and
inadequacy. It is not too much to say that, if this scheme had been
designed with the express object of degrading the standard of literary
teaching, and of perpetuating all that is worst in present systems, it
could hardly have been better adapted for its purpose. Not to dwell upon
subordinate defects, it completely severs the study of our own
literature from that of the ancient classical literatures. It
necessitates no knowledge of any of the Continental literatures. It
ignores absolutely the higher criticism. Contracting Literature within
the narrowest bounds, its selection of books for special study is worthy
of an Army Examination. In the wretched jumble in which Goldsmith’s
_Citizen of the World_ jostles Shelley’s _Adonais_ and Burke’s _Thoughts
on the Present Discontents_ Wordsworth’s and Coleridge’s _Lyrical
Ballads_, no attempt is made to discriminate between compositions which
are representative, either critically of the work of particular authors,
or historically of particular epochs, and works which have no such
significance, while many of the most important departments of our prose
Literature are unrepresented. Nor is this all. It affords every facility
for cramming. It is adapted to test nothing but what may be
mechanically acquired and mechanically imparted, what may be poured out
from lectures into notebooks, and from notebooks into examination
papers. Proceeding on the assumption that a literary education is merely
the acquisition of positive knowledge, it neither requires nor
encourages, as the prescription of an essay or thesis, or even
“taste-paper,” might have done, any of the finer qualities of literary
culture, such, for example, as a sense of style, sound judgment, good
taste, the touch of the scholar. We can assure these legislators, and we
speak from knowledge, that, setting aside the philological portion of
this curriculum, which is, so far as it goes, solid enough, an
experienced crammer, would, in about three months furnish an astute
youth with all that is requisite for graduating in this school.
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