Ephemera Critica; Or, Plain Truths About Current LiteratureCollins, John Churton
History
Ephemera Critica; Or, Plain Truths About Current Literature
Collins, John Churton
Criticism; English literature -- History and criticism; Literature -- History and criticism
It may sound paradoxical to say that the more widely education spreads,
the more generally intelligent a nation becomes, the greater is the
danger to which Art and Letters are exposed. And yet how obviously is
this the case, and how easily is this explained. The quality of skilled
work depends mainly on the standard required of the workman. If his
judges and patrons belong to the discerning few who, knowing what is
excellent, are intolerant of everything which falls short of excellence,
the standard required will necessarily be a high one, and the standard
required will be the standard attained. In past times, for example, the
only men of letters who were respected formed a portion of that highly
cultivated class who will always be in the minority; and to that class,
and to that class only, they appealed. A community within a community,
they regarded the general public with as much indifference as the
general public regarded them, and wrote only for themselves, and for
those who stood on the same intellectual level as themselves. It was so
in the Athens of Pericles; it was so in the Rome of Augustus; it was so
in the Florence of the Medici; and a striking example of the same thing
is to be found in our own Elizabethan Dramatists. Though their bread
depended on the brutal and illiterate savages for whose amusement they
catered, they still talked the language of scholars and poets, and
forced their rude hearers to sit out works which could have been
intelligible only to scholars and poets. Each felt with pride that he
belonged to a great guild, which neither had, nor affected to have,
anything in common with the multitude. Each strove only for the applause
of those whose praise is not lightly given. Each spurred the other on.
When Marlowe worked, he worked with the fear of Greene before his eyes,
as Shakespeare was put on his mettle by Jonson, and Jonson by
Shakespeare. We owe _Hamlet_ and _Sejanus_, _Much Ado about Nothing_ and
the _Alchemist_, not to men who bid only for the suffrage of the mob,
but to men who stood in awe of the verdict which would be passed on them
by the company assembled at the Mermaid and the Devil.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account