Ephemera Critica; Or, Plain Truths About Current Literature — John Shaqi
Ephemera Critica; Or, Plain Truths About Current LiteratureCollins, John Churton
History
Ephemera Critica; Or, Plain Truths About Current Literature
Collins, John Churton
Criticism; English literature -- History and criticism; Literature -- History and criticism
As long as men of letters continue to form an intellectual aristocracy,
and, stimulated by mutual rivalry, strain every nerve to excel, and as
long also as they have no temptation to pander to the crowd, so long
will Literature maintain its dignity, and so long will the standard
attained in Literature be a high one. In the days of Dryden and Pope, in
the days even of Johnson and Gibbon, the greater part of the general
public either read nothing, or read nothing but politics and sermons.
The few who were interested in Poetry, in Criticism, in History, were,
as a rule, those who had received a learned education, men of highly
cultivated tastes and of considerable attainments. A writer, therefore,
who aspired to contribute to polite literature, had to choose between
finding no readers at all, and finding such readers as he was bound to
respect--between instant oblivion, and satisfying a class which,
composed of scholars, would have turned with contempt from writings
unworthy of scholars. A classical style, a refined tone, and an adequate
acquaintance with the chief authors of Ancient Rome and of Modern
France, were requisites, without which even a periodical essayist would
have had small hope of obtaining a hearing. Whoever will turn, we do not
say to the papers of Addison and his circle in the early part of the
last century, or to those of Chesterfield and his circle later on, but
to the average critical work of Cave’s and Dodsley’s hack writers,
cannot fail to be struck with its remarkable merit in point of literary
execution.
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