Ephemera Critica; Or, Plain Truths About Current Literature — John Shaqi
Ephemera Critica; Or, Plain Truths About Current LiteratureCollins, John Churton
History
Ephemera Critica; Or, Plain Truths About Current Literature
Collins, John Churton
Criticism; English literature -- History and criticism; Literature -- History and criticism
No thoughtful man can contemplate the present condition of current
literature without disgust and alarm. We have still, indeed, lingering
among us a few masters whose works would have been an honour to any age;
and here and there among writers may be discerned men who are honourably
distinguished by a conscientious desire to excel, men who respect
themselves, and respect their calling. But to say that these are in the
minority, would be to give a very imperfect idea of the proportion which
their numbers bear to those who figure most prominently before the
public. They are, in truth, as tens are to myriads. Their comparative
insignificance is such, that they are powerless even to leaven the mass.
The position which they would have occupied half a century ago, and
which they may possibly occupy half a century hence, is now usurped by a
herd of scribblers who have succeeded, partly by sheer force of numbers,
and partly by judicious co-operation, in all but dominating literature.
Scarcely a day passes in which some book is not hurried into the world,
which owes its existence not to any desire on the part of its author to
add to the stores of useful literature, or even to a hope of obtaining
money, but simply to that paltry vanity which thrives on the sort of
homage of which society of a certain kind is not grudging, and which
knows no distinction between notoriety and fame. A few years ago a man
who contributed articles to a current periodical, or who delivered a
course of lectures, had, as a rule, the good sense to know that when
they had fulfilled the purpose for which they were originally intended,
the world had no more concern with them, and he would as soon have
thought of inflicting them in the shape of a volume on the public, as he
would have thought of issuing an edition of his private letters to his
friends. Now all is changed. The first article in the creed of a person
who has figured in either of these capacities, appears to be, that he is
bound to force himself into notice in the character of an author. And
this, happily for himself, but unhappily for the interests of
literature, he is able to do with perfect facility and with perfect
impunity. Books are speedily manufactured and as speedily reduced to
pulp. A worthless book may be as easily invested with those superficial
attractions which catch the eye of the crowd as a meritorious one. As
the general public are the willing dupes of puffers, it is no more
difficult to palm off on them the spurious wares of literary charlatans,
than it is to beguile them into purchasing the wares of any other kind
of charlatan. No one is interested in telling them the truth. Many, on
the contrary, are interested in deceiving them. As a rule, the men who
write bad books are the men who criticise bad books; and as they know
that what they mete out in their capacity of judges to-day is what will
in turn be meted out to them in their capacity of authors to-morrow, it
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