Ephemera Critica; Or, Plain Truths About Current LiteratureCollins, John Churton
History
Ephemera Critica; Or, Plain Truths About Current Literature
Collins, John Churton
Criticism; English literature -- History and criticism; Literature -- History and criticism
is not surprising that the relations between them should be similar to
those which Tacitus tells us existed between Vinius and
Tigellinus--“nulla innocentiæ cura, sed vices impunitatis.”
Meanwhile all those vile arts which were formerly confined to the
circulators of bad novels and bad poems are practised without shame. It
is shocking, it is disgusting to contemplate the devices to which many
men of letters will stoop for the sake of exalting themselves into a
factitious reputation. They will form cliques for the purpose of mutual
puffery. They will descend to the basest methods of self-advertisement.
And the evil is fast-spreading. Indeed, things have come to such a pass,
that persons of real merit, if they have the misfortune to depend on
their pens for a livelihood, must either submit to be elbowed and
jostled out of the field, or take part in the same ignoble scramble for
notoriety, and the same detestable system of mutual puffery. Thus
everything which formerly tended to raise the standard of literary
ambition and literary attainment has given place to everything which
tends to degrade it. The multitude now stand where the scholar once
stood. From the multitude emanate, to the multitude are addressed
two-thirds of the publications which pour forth, every year, from our
presses.
Viviamo scorti
Da mediocrità: sceso il sapiente,
E salita è la turba a un sol confine
Che il mondo agguaglia.
Matthew Arnold very truly observed, that one of the most unfortunate
tendencies of our time was the tendency to over-estimate the
performances of “the average man.” The over-estimation of these
performances is no longer a tendency, but an established custom.
Literature, in all its branches, is rapidly becoming his monopoly. As
judged and judge, as author and critic, there is every indication that
he will proceed from triumph to triumph, and establish his cult wherever
books are read. Now the only sphere in which “the average man” is
entitled to homage is a moral one, and he is most venerable when he is
passive and unambitious. But if ambition and the love of fame are
awakened in him, he is capable of becoming exceedingly corrupt and of
forfeiting every title to veneration. He is capable of resorting to all
the devices to which men are forced to resort in manufacturing
factitious reputations, to imposture, to fraud, to circulating false
currencies of his own, and to assisting others in the circulation of
theirs. Even when he is free from these vices, so far as their
deliberate practice is concerned, he is scarcely less mischievous, if he
be uncontrolled. To say that his standard is never likely to be a high
one, either with reference to his own achievements or with reference to
what he exacts from others, and to say that the systematic substitution
of inferior standards for high ones must affect literature and all that
is involved in its influence, most disastrously, is to say what will be
generally acknowledged.
Public-domain text, read in full here on John Shaqi.
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