Authors, English -- 20th century -- Biography; Blackwood, Algernon, 1869-1951
He walked away, passing along the length of the room and down three
steps into a narrower, darker bar beyond, where the shadows hid him.
But his voice still reached me: “It’s on the back street, this bar,” he
called. “This is for the _hoi polloi_. We shall want a chucker out....
Here’s the private door leading to the upstairs dining-room we’ll let
out for banquets. We’ll have our own bedrooms and sitting-room on the
first floor too....”
His voice roared on; I heard, but did not answer; I had not moved an
inch from my place against the swing-doors. He had not, of course, the
faintest idea what was passing through my mind at the moment; and, had
I told him, he would only have laughed good-naturedly and talked of the
money we should make. The fact was, however, that the whole of my early
up-bringing just then came at me with a concentrated driving-force
which made the venture seem absolutely impossible.
“We’ll call this one the House of Commons,” he bawled delightedly; “and
that one--the front bar--the House of Lords. We shall take 250 dollars
a day easily!”
The shock, the contrast, the exaggerated effect of entering a saloon
for the first time in my life, especially with the added possibility of
shortly becoming its proprietor, were natural enough. My unworldliness,
even at twenty-one, was abnormal. Not only had I never smoked tobacco
nor touched alcohol of any description, but I had never yet set foot
inside a theatre; a race-course I had never seen, nor held a billiard
cue, nor touched a card. I did not know one card from another. Any game
that might involve betting or gambling was anathema. In other ways,
too, I had been sheltered to the point of ignorance. I had never even
danced. To hold a young woman round the waist was not alone immodest
but worse than immodest.
This peculiarly sheltered up-bringing, this protected hot-house of
boyhood and early youth to which a drinking bar was the vestibule of
hell, and a music-hall an invention of a personal devil, are necessary
to understand the reaction produced in me as I stood in Billy Bingham’s
“joint.” I stood, literally, on the brink of “the downward path.” I
heard my father’s voice, I saw my mother’s eyes.... In very definite
form I now faced “worldly temptation” they had so often warned me
against. Accompanying an almost audible memory of “Get thee behind
me, Satan,” drove a crowded kaleidoscope of vivid pictures from those
sheltered years.
Public-domain text, read in full here on John Shaqi.
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