His eyes dropped to his companion. A face with moonlight grown upon it.
Beautiful, yes. Sometime he would tell her. Pour it out in words. There
was a paradox about the situation. He was obviously somewhat bored. Yet
to leave her, to put an end to their strolling through the strange
moments, would hurt. Had he ever lived before? Banal question. "No, I've
never lived before. Living is somewhat of a bore, a beautiful bore."
When they parted she stood looking at him as one transfixed.
"Erik!"
She made his name mean something--a world, a heaven. For an instant his
laughter ended and a sadness engulfed him. Then once more he was alone
and laughing. Rachel was walking away, something rather ridiculously
normal about her step. Yes, he would laugh forever. Lord, what a jest!
Like water coming out of a stone. Laugh at the crowds and buildings that
desired to annoy him by sweeping toward him the memory of Rachel saying
"Erik!" He diverted himself, as he hurried to his home, by staring into
people's eyes and saying, "This one has a dream. That one hasn't. This
one loves. The streets hurt him. That one is dead. The streets bury
him."
On the third day the bombardment of Paris interfered with his plans. He
remained too late in the office to walk with Rachel. As he sauntered
about the shop, assisting and directing at the extras and replates, he
vaguely forgot her. Word had come from the chief to hold the paper open
until nine o'clock. If Paris failed to fall by nine everybody could go
home and spend the rest of the night wrangling with his wife or looking
at a movie. If it fell by nine there would be a final extra.
"I hope the damned town falls five minutes after nine," growled Warren,
"if it's got to fall. Let it fall for the morning papers. What the hell
are they for, anyway? I've got a rotten headache."
Dorn told him to run along. "I'll handle the copy, if there is any. A
history of Paris out of the almanac will answer the purpose, I guess."
Warren folded his newspapers and left. Dorn sat scribbling possible
headlines for the next re-plate: "Germans Bombard Paris ..." and then a
bank in smaller type: "French Capital Silent. Communication Cut Off." He
paused and added with a sudden elation, "Civilization on Its Knees."
Public-domain text, read in full here on John Shaqi.
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