Error's chains : $b How forged and broken : A comparative history of the national, social and religious errors that mankind has fallen into and practised from the creation down to the present time.Dobbins, Frank S. (Frank Stockton)
Religion
Error's chains : $b How forged and broken : A comparative history of the national, social and religious errors that mankind has fallen into and practised from the creation down to the present time.
Dobbins, Frank S. (Frank Stockton)
Idols and images -- Worship; Mythology; Religions
Then I heard again
Elijah’s voice. I had been watching close
Baal’s prophets, but I now looked straight at him.
A fearful gleam was in his eye, a mirth
Too stern, methought, for man of woman born;
His glance was vexing those robed prophets more
Than the sun’s fire; and then be gave it words.
‘Might he not spare one little spark, but one,
Your fine god riding there,’ he cried, ‘to light
Your sacrifice? He surely has enough;
He’s burning you, if not your offering.
Poor souls, I pity you!’ They screamed for rage.
‘A little louder,’ smiled he, ‘for perhaps
In his warm chariot he has fallen asleep.’
They leaped, they danced, they cut themselves with knives,
Till the blood soaked their robes and poured in streams
From their lanced foreheads. Then he laughed aloud
Great shouts of laughter, till the echoes rang
From crag to crag on Carmel. ‘Keep it up,
Another dance!’ he shrieked; ‘another song!
Leap rather higher; never grudge some drops
Of your dear blood, so precious in his sight.
Ye know he is a god, my reverend friends;
How often have ye told the people so?
Your pretty speeches and the miracles
Which ye have shown them, these were not, of course,
Mere lies accursed. He is a god, you know.
Louder, I say; he’s old, perhaps, and deaf;
Out with your beards--that’s hopeful--crack your throats
In yelling chorus. Good, good--ha, ha, ha!’
He rubbed his hands, waved wildly in the air
His sheep-skin mantle, laughed until the tears
Streamed down his face, and all his body shook
With paroxysms of mirth and scorn. Ah me!
That laughter sounded fearfully, and seemed
Not human in its fiery ruthlessness.
But as he stood on Carmel, charred and gray,
A dead land lay below, his native land;
And the white corpse-eyes made appeal to him
Against its murderers, murderers of the truth,
Baal’s lying prophets. Furthermore, I think
That this Elijah is not to be judged
Like common men. The little rippling lake,
Safe hid among the hills, can never know
The ocean’s tempests.--So they writhed and tore,
In ecstasies of grief and rage. At last
They hung their heads in mute despair, and looked
Upon the ground.
Elijah stood erect,
Terrible earnestness and majesty
Now sitting on his brow. Twelve stones he took--
Mark, twelve; this challenge in the full name
Of Israel as it stooped to David’s hand,
And with one mighty throb the multitude
Approved Elijah’s purpose;--twelve smooth stones
From Carmel’s side, and with them he repaired
Jehovah’s altar. Then, at his command,
We filled the trench with water, till it ran
Around the altar like a surging stream,
And washed the stones, and soaked the wood beneath
The sacrifice. He knelt upon the ridge,
Against the golden, placid sky of eve;
Public-domain text, read in full here on John Shaqi.
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