Essay on the Creative ImaginationRibot, Th. (Théodule)
Science
Essay on the Creative Imagination
Ribot, Th. (Théodule)
Creation (Literary, artistic, etc.); Imagination
At what age, in what form, under what conditions does the creative
imagination make its appearance? It is impossible to answer this
question, which, moreover, has no justification. For the creative
imagination develops little by little out of pure reproduction by an
evolutionary process, not by sudden eruption. Nevertheless, its
evolution is very slow on account of causes both organic and
psychological.
We could not dwell long on the organic causes without falling into
tiresome repetitions. The new-born infant is a spinal being, with an
unformed diffluent brain, composed largely of water. Reflex life itself
is not complete in him, and the cortico-motor system only hinted at; the
sensory centers are undifferentiated, the associational systems remain
isolated for a long time after birth. We have given above Flechsig's
observation on this point.
The psychological causes reduce themselves to the necessity for a
consolidation of the primary and secondary operations of the mind,
without which the creative imagination cannot take form. To be precise,
we might distinguish, as does Baldwin, four epochs in the mental
development of the child: (1) affective (rudimentary sensory processes,
pleasures and pains, simple motor adaptations); (2) and (3) objective,
in which the author establishes two grades, (a) appearance of special
senses, of memory, instincts primarily defensive, and imitation; (b)
complex memory, complicated movements, offensive activities, rudimentary
will; (4) subjective or final (conscious thought, constitutive will,
ideal emotions). If we accept this scheme as approximately correct, the
_moment_ of imagination must be assigned to the third period (the second
stage of the objective epoch) which fulfills all the sufficient and
necessary conditions for its origination and for its rise above pure
reproduction.
Whatever the propitious age may be, the study of the child-imagination
is not without difficulties. In order to enter into the child-mind, we
must become like a child; as it is, we are limited to an interpretation
of it in terms of the adult, with much false interpretation possible,
agreeing too much or too little with the facts. Furthermore, the
children studied live and grow up in a civilized environment. The result
is that the development of their imagination is rarely unhampered and
complete; for as soon as their fancy passes the middle level, the
rationalizing education of parents and teachers is eager to master and
control it. In truth it gives its full measure and reveals itself in
the fulness of growth only among primitive peoples. With us it is
checked in its flight by an antagonistic power, which treats it as a
harbinger of insanity. Finally, children are not equally well-suited for
this study; we must make a distinction between the imaginative and
non-imaginative, and the latter should be eliminated.
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