Our modern farce-writers have, with laudable emulation, followed the
example of this great master of the stage; but as in their use of this
figure they possess the audacity without the genius of the bard they
imitate, they cannot prevent us from perceiving the frequent Asyndeton
in place, in plot, or in character. The beauty of the countries to which
they introduce us is not such as to withdraw us from the contemplation
of the outrageously miraculous manner in which we were transported to
them.
We have delayed the reader quite long enough with this preliminary
discussion, and will now enter at once upon our main subject: the
Asyndeton in life.
We should imagine that few of our readers are ignorant of the charms of
novelty; few have lived through their boyhood and their youth without
experiencing the disgust which a too frequent repetition of the same
pleasure infallibly produces. There is in novelty a charm, the want of
which no other qualification can in any degree compensate. The most
studied viands for the gratification of the appetite please us when
first we enjoy them, but the enjoyment becomes tasteless by repetition,
and the _crambe repetita_ of satiety provokes nausea instead of exciting
desire. Thus it is in other and weightier matters. The pleasures which
we first devoured with avidity lose much of their relish when they recur
a second time, and are mere gall and wormwood to us when their sweets
have become familiar to our taste. A common every-day character,
although its possessor may enjoy abundance of worth and good sense,
makes no impression on our minds; but the novelty of capricious beauty
or uncultivated genius finds a sure road to our hearts.
This is something too long for a digression; but novelty is a very
pretty theme, and must be our excuse. We will return forthwith to our
subject.
Since novelty then has so much weight in influencing the judgment, or at
least the prejudices of mankind, it is right that this most desirable
qualification should not be neglected by young persons on their _début_
upon the stage of life; we must be masters of this excellence before we
can expect to shine in any other; we must be new before we can hope to
be amusing.
Public-domain text, read in full here on John Shaqi.
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