Now the figure which we have been discussing, or rather the figure which
we ought to have been discussing, is the very essence and quintessence
of novelty. It is perpetually bringing before our eyes old scenes in a
new form, old friends in a new dress, old recollections in a new
imagery: it is the cayenne of life; and from it the dishes, which would
without it cloy and disgust, derive a perpetual variety of taste and
pungency. It takes from the scenes we so often witness their unpleasing
uniformity, and gives to our mortal career an air of romance which is
inexpressibly amusing. All ranks of persons may alike derive benefit
from it. By its use the charms of the beauty become more irresistible,
the exploits of the general more astonishing, the character of the rake
more excusable. It gives in an equal degree pleasure to those who
behold, and advantage to those who practise it.
How then is it to be practised? The manner and the method are
sufficiently obvious. Never wear to-morrow the same character, or the
same dress, that you wore to-day. Be, if you can, _puncto mobilis horæ_.
Be red one hour, and pale the next; vary your temper, your appearance,
your language, your manners, unceasingly. Let not your studies or your
amusements continue the same for a week together. Skim over the surface
of everything, and be deep in nothing; you may think a little, read a
little, gamble a little: but you must not think deep, read deep, or play
deep. In short, be everything and nothing; the butterfly in life,
tasting every flower, and tasting only to leave it.
Do you think too much is required? Far from it. Antiquity has handed
down to us a character possessed, in a most transcendent degree, of all
the qualifications we have exacted. We always like to get an example or
two from antiquity, because it looks learned. Alcibiades then we can
safely propose as a model for all juvenile practitioners in the
Asyndeton. Was he grave one day? He laughed the next. Was he an orator
one day? He was a buffoon the next. Was he a Greek one day? He was a
Persian the next. To sum up his character: he was skilled in every
profession; an amateur in every fashion; adorned by every virtue; made
infamous by every vice. He moralized like a philosopher, jested like a
mountebank, fought like a hero, lied like a scoundrel, lived like a
knowing one, and died like a fool.
Public-domain text, read in full here on John Shaqi.
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