I well remember how, on the afternoon after my arrival, I was sitting
in a café on the Plaza Mayor when the door opened and my eyes fell upon
the arresting figure of a man half-way through the fifties, clad in a
double-breasted blue-serge jacket with a rim of white collar falling
over a kind of clerical waistcoat that was void of the usual triangular
opening for the display of shirt and necktie, his head crowned by a
round parsonical black hat. There was an almost aggressive announcement
of bluff health and energy in the erect carriage of the body, the
alert set of the head on squared shoulders, the thick brush-like crop
of iron-grey hair, the crisp curl of the close-trimmed beard that
emphasized rather than masked the firm lines of the jaw, the keen
glance behind gold-rimmed spectacles of eyes that gleamed bright and
brown like the eyes of a bird of prey. It would have been difficult for
one to whom he was a stranger to have guessed his vocation from his
appearance. Certainly never was philosopher less sicklied o’er with
the pale cast of thought. The tan that bronzed a skin glowing with the
flush of health seemed to tell of a life that was spent in the air of
the mountains rather than in the study. It could scarcely be doubted
that the figure standing there in the doorway was that of a man of
action and a fighter.
During the course of the next two months I had ample opportunity to
observe the daily routine of Unamuno’s life at Salamanca. An early
riser, he may be seen in the streets before nine o’clock on his way
to the lecture-room. After the midday _comida_, at which he usually
abstains from both wine and meat, he is accustomed to take his coffee
at the Circulo Salmantino with a group of friends whose thought and
convictions are as widely varying as their occupations--university
professors, students, doctors, magistrates, writers, poets and men
of business. The quite unacademic conversation ranges over the whole
gamut of human interests. While the talk is flowing freely or the
argument being waged, Unamuno--who, by the way, is a non-smoker--may
sometimes be seen folding square sheets of paper with deft fingers
into complicated geometrical patterns which presently grow into
astonishingly realistic shapes of animals. Before the party breaks up,
his table is not infrequently covered with a menagerie of pigs, jumping
frogs, vultures and other wildfowl, to the no small delight of the
street urchins whose noses are flattened against the other side of the
wide plate-glass window. This _arte salmatino_, as its inventor calls
it, presents baffling constructional problems, the solutions of which
are sometimes thought out upon abstract geometrical principles in the
sleepless watches of the night.
Public-domain text, read in full here on John Shaqi.
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