English literature -- 19th century -- History and criticism; Literature -- History and criticism
Yet, excellent and unique as these things were, Mr. Stevenson had not yet
"found himself." It would be more true to say that he had only
discovered outlying skirts of his dominions. Has he ever hit on the road
to the capital yet? and will he ever enter it laurelled, and in triumph?
That is precisely what one may doubt, not as without hope. He is always
making discoveries in his realm; it is less certain that he will enter
its chief city in state. His next work was rather in the nature of
annexation and invasion than a settling of his own realms. "Prince Otto"
is not, to my mind, a ruler in his proper soil. The provinces of George
Sand and of Mr. George Meredith have been taken captive. "Prince Otto"
is fantastic indeed, but neither the fantasy nor the style is quite Mr.
Stevenson's. There are excellent passages, and the Scotch soldier of
fortune is welcome, and the ladies abound in subtlety and wit. But the
book, at least to myself, seems an extremely elaborate and skilful
_pastiche_. I cannot believe in the persons. I vaguely smell a moral
allegory (as in "Will of the Mill"). I do not clearly understand what it
is all about. The scene is fairyland; but it is not the fairyland of
Perrault. The ladies are beautiful and witty; but they are escaped from
a novel of Mr. Meredith's, and have no business here. The book is no
more Mr. Stevenson's than "The Tale of Two Cities" was Mr. Dickens's.
It was probably by way of mere diversion and child's play that Mr.
Stevenson began "Treasure Island." He is an amateur of boyish pleasures
of masterpieces at a penny plain and twopence coloured. Probably he had
looked at the stories of adventure in penny papers which only boys read,
and he determined sportively to compete with their unknown authors.
"Treasure Island" came out in such a periodical, with the emphatic
woodcuts which adorn them. It is said that the puerile public was not
greatly stirred. A story is a story, and they rather preferred the
regular purveyors. The very faint archaism of the style may have
alienated them. But, when "Treasure Island" appeared as a real book,
then every one who had a smack of youth left was a boy again for some
happy hours. Mr. Stevenson had entered into another province of his
realm: the king had come to his own again.
Public-domain text, read in full here on John Shaqi.
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