American essays -- 19th century; Literature -- History and criticism
It is in the same benevolent spirit that kind-hearted critics are good
enough to warn us against the books we love, and to prescribe for us
the books we ought to read. With robust assurance they offer to give
our tutelage their own personal supervision, and their disinterested
zeal carries them occasionally beyond the limits of discretion. I have
been both amazed and gratified by the lack of reserve with which these
unknown friends have volunteered to guide my own footsteps through the
perilous paths of literature. They are so urgent, too, not to say
severe, in their manner of proffering assistance: “To Miss Repplier we
would particularly recommend”—and then follows a list of books of which
I dare say I stand in open need; but which I am naturally indisposed to
consider with much kindness, thrust upon me, as they are, like paregoric
or a porous plaster. If there be people who can take their pleasures
medicinally, let them read by prescription and grow fat! But let me
rather keep for my friends those dear and familiar volumes which have
given me a large share of my life’s happiness. If they are somewhat
antiquated and out of date, I have no wish to flout their vigorous age.
A book, Hazlitt reminds us, is not, like a woman, the worse for being
old. If they are new, I do not scorn them for a fault which is common
to all their kind. _Paradise Lost_ was once new, and was regarded as a
somewhat questionable novelty. If they come from afar, or are compatriots
of my own, they are equally well-beloved. There can be no aliens in the
ranks of literature, no national prejudice in an honest enjoyment of
art. The book, after all, and not the date or birthplace of its author,
is of material importance. “It seems ungracious to refuse to be a _terræ
filius_,” says Mr. Arnold; “but England is not all the world.” Neither,
for that matter, is America, nor even Russia. The universe is a little
wider and a little older than we are pleased to think, and to have lived
long and traveled far does not necessarily imply inferiority. The volume
that has crossed the seas, the volume that has survived its generation,
stand side by side with their new-born American brother, and there is no
lack of harmony in such close companionship. Books of every age and of
every nation show a charming adaptability in their daily intercourse;
and, if left to themselves, will set off each other’s merits in the most
amiable and disinterested manner, each one growing better by contact with
its excellent neighbor. It is only when the patriotic critic comes along,
and stirs up dissensions in their midst, that this peaceful atmosphere
is rent with sudden discord; that the English book grows disdainful
and supercilious; the American, aggressive and sarcastic; the French,
malicious and unkind. It is only when we apply to them a test which is
neither wise nor worthy that they show all their bad qualities, and
afford a wrangling ground for the ill-natured reviewers of two continents.
Public-domain text, read in full here on John Shaqi.
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