Essays in the Art of WritingStevenson, Robert Louis
History
Essays in the Art of Writing
Stevenson, Robert Louis
Authorship; Literature -- History and criticism; Stevenson, Robert Louis, 1850-1894 -- Authorship
The profession of letters has been lately debated in the public prints;
and it has been debated, to put the matter mildly, from a point of view
that was calculated to surprise high-minded men, and bring a general
contempt on books and reading. Some time ago, in particular, a lively,
pleasant, popular writer {47b} devoted an essay, lively and pleasant like
himself, to a very encouraging view of the profession. We may be glad
that his experience is so cheering, and we may hope that all others, who
deserve it, shall be as handsomely rewarded; but I do not think we need
be at all glad to have this question, so important to the public and
ourselves, debated solely on the ground of money. The salary in any
business under heaven is not the only, nor indeed the first, question.
That you should continue to exist is a matter for your own consideration;
but that your business should be first honest, and second useful, are
points in which honour and morality are concerned. If the writer to whom
I refer succeeds in persuading a number of young persons to adopt this
way of life with an eye set singly on the livelihood, we must expect them
in their works to follow profit only, and we must expect in consequence,
if he will pardon me the epithets, a slovenly, base, untrue, and empty
literature. Of that writer himself I am not speaking: he is diligent,
clean, and pleasing; we all owe him periods of entertainment, and he has
achieved an amiable popularity which he has adequately deserved. But the
truth is, he does not, or did not when he first embraced it, regard his
profession from this purely mercenary side. He went into it, I shall
venture to say, if not with any noble design, at least in the ardour of a
first love; and he enjoyed its practice long before he paused to
calculate the wage. The other day an author was complimented on a piece
of work, good in itself and exceptionally good for him, and replied, in
terms unworthy of a commercial traveller that as the book was not briskly
selling he did not give a copper farthing for its merit. It must not be
supposed that the person to whom this answer was addressed received it as
a profession of faith; he knew, on the other hand, that it was only a
whiff of irritation; just as we know, when a respectable writer talks of
literature as a way of life, like shoemaking, but not so useful, that he
is only debating one aspect of a question, and is still clearly conscious
of a dozen others more important in themselves and more central to the
matter in hand. But while those who treat literature in this penny-wise
and virtue-foolish spirit are themselves truly in possession of a better
light, it does not follow that the treatment is decent or improving,
whether for themselves or others. To treat all subjects in the highest,
the most honourable, and the pluckiest spirit, consistent with the fact,
is the first duty of a writer. If he be well paid, as I am glad to hear
Public-domain text, read in full here on John Shaqi.
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