Essays in the Art of WritingStevenson, Robert Louis
History
Essays in the Art of Writing
Stevenson, Robert Louis
Authorship; Literature -- History and criticism; Stevenson, Robert Louis, 1850-1894 -- Authorship
Every article, every piece of verse, every essay, every _entre-filet_, is
destined to pass, however swiftly, through the minds of some portion of
the public, and to colour, however transiently, their thoughts. When any
subject falls to be discussed, some scribbler on a paper has the
invaluable opportunity of beginning its discussion in a dignified and
human spirit; and if there were enough who did so in our public press,
neither the public nor the Parliament would find it in their minds to
drop to meaner thoughts. The writer has the chance to stumble, by the
way, on something pleasing, something interesting, something encouraging,
were it only to a single reader. He will be unfortunate, indeed, if he
suit no one. He has the chance, besides, to stumble on something that a
dull person shall be able to comprehend; and for a dull person to have
read anything and, for that once, comprehended it, makes a marking epoch
in his education.
Here, then, is work worth doing and worth trying to do well. And so, if
I were minded to welcome any great accession to our trade, it should not
be from any reason of a higher wage, but because it was a trade which was
useful in a very great and in a very high degree; which every honest
tradesman could make more serviceable to mankind in his single strength;
which was difficult to do well and possible to do better every year;
which called for scrupulous thought on the part of all who practised it,
and hence became a perpetual education to their nobler natures; and
which, pay it as you please, in the large majority of the best cases will
still be underpaid. For surely, at this time of day in the nineteenth
century, there is nothing that an honest man should fear more timorously
than getting and spending more than he deserves.
BOOKS WHICH HAVE INFLUENCED ME {75a}
The Editor {75b} has somewhat insidiously laid a trap for his
correspondents, the question put appearing at first so innocent, truly
cutting so deep. It is not, indeed, until after some reconnaissance and
review that the writer awakes to find himself engaged upon something in
the nature of autobiography, or, perhaps worse, upon a chapter in the
life of that little, beautiful brother whom we once all had, and whom we
have all lost and mourned, the man we ought to have been, the man we
hoped to be. But when word has been passed (even to an editor), it
should, if possible, be kept; and if sometimes I am wise and say too
little, and sometimes weak and say too much, the blame must lie at the
door of the person who entrapped me.
Public-domain text, read in full here on John Shaqi.
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