Essays on the Greek RomancesHaight, Elizabeth Hazelton
History
Essays on the Greek Romances
Haight, Elizabeth Hazelton
Apuleius. Metamorphoses; Greek fiction -- History and criticism
Dionysius of course serves as one of the King’s generals. He has a
crafty piece of news conveyed to Chaereas that in reward for his
faithful service the King had given him Callirhoe. Chaereas, believing
this false story, and no longer caring to live, enlists with the
faithful Polycharmus in the Egyptian army to fight against his rival. He
is allowed to collect an army of three hundred Greeks in memory of
Thermopylae and with them captures Tyre. News of this loss makes the
Persian King so anxious that he decides not to travel with all his
retinue, but to leave the women on the little island of Aradus. Chaereas
who is proving a valiant warrior soon takes the island and discovers
Callirhoe among his captives. Both faint on seeing each other but since
joy never kills, they soon recover and reunited tell all and forgive
all.
Word suddenly comes that the Persian King has defeated the Egyptians and
their King is dead. Chaereas and his men decide to sail home to
Syracuse, but first in response to the plea of Callirhoe Chaereas sends
his prisoner, the queen Statira, back to the King because she had
befriended Callirhoe in her woes. Callirhoe without the knowledge of
Chaereas writes a beautiful and affectionate letter of farewell to
Dionysius, intrusting to him the care of her son. (Dionysius still
believes he is the boy’s father!) The ship of Chaereas is driven by fair
winds to Sicily where Hermocrates and the people of Syracuse receive the
hero and heroine in amazement and joy. Chaereas tells the story of all
their adventures and Callirhoe ends the tale with a prayer to Aphrodite:
“I beg thee, never again part me from Chaereas, but grant us both a
happy life, and death together.”
With this simple outline of the plot before us let us study the way in
which the story is told. Notable first of all are the shifting scenes,
for the action moves rapidly from Syracuse, to Miletus, to Caria, to
Babylon, to the sea, to Tyre, to the island of Aradus and then at last
back to Syracuse after the full circle of adventures. The contrast
between the free Greek city of Syracuse and the oriental kingdoms is
constantly emphasized, but it is the love of adventure for adventure’s
sake that spices the narrative. The settings include, besides
picturesque descriptions of localities, court-room scenes which are full
of contrasts: the murder-trial of Chaereas in Syracuse and the trial of
Theron also; the arraignment of Mithridates for adultery before the
Great King in Babylon. Pageantry of weddings and of religious ceremonies
also enrich the plot.
Public-domain text, read in full here on John Shaqi.
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