Essays on the Greek RomancesHaight, Elizabeth Hazelton
History
Essays on the Greek Romances
Haight, Elizabeth Hazelton
Apuleius. Metamorphoses; Greek fiction -- History and criticism
The characters are painted in bold, rich colors. Hero and heroine are so
beautiful that they can be compared only to great works of art: Chaereas
resembles the pictures and statues of Achilles, Nireus, Hippolytus,
Alcibiades. Callirhoe is now Aphrodite incarnate, now Artemis. Love is
enflamed by their great beauty and enters through their eyes at their
first sight of each other. Chaereas is proud and arrogant because of his
looks and so passionate that he is unrestrained in his anger when he
believes Callirhoe false. The kick which he gave his bride is a blot on
his character which the reader finds harder to condone than Callirhoe
did. She declares that cruel Fortune forced her husband to this act, for
he never before had struck even a slave. He is also so mercurial that he
repeatedly gives way to despair and is repeatedly saved from committing
suicide by his devoted friend and companion, Polycharmus. He appears in
more heroic guise as a warrior when he joins the Egyptians against
Artaxerxes and Dionysius, resolved to die in battle, and wins a great
naval victory. He is generous in sending the captive queen back to her
lord. And he fulfills the ideals of romantic chivalry by declaring to
Callirhoe at the end that she is the mistress of his soul.
Callirhoe like Helen had the gift of fatal beauty so that all men who
saw her fell in love with her and she incurred for a time the jealousy
of Aphrodite. But in spite of every temptation her spirit remained
virginal and she was persuaded to marry Dionysius only to give a nominal
father to her unborn child. She meets misfortune with natural tears, but
with more fortitude than Chaereas shows. And she rules her anger even
when the eunuch of King Artaxerxes makes insulting proposals to her by
remembering that she had been well brought up and as a Greek taught
self-control. She handles difficult situations with a woman’s intuitive
tact as when she writes a consoling farewell letter to Dionysius,
without letting her husband have the pain of knowing of it and its
tenderness. By it she secures Dionysius’ care for the son he still
believes his own. She wins from Chaereas with gentle tact a promise to
send back the captives Statira and the beautiful Rhodogyne to the
Persians. And in meek devotion at the end she essays to win even the
goddess Aphrodite to complete reconciliation.
Polycharmus is a type more than an individual, for he is to Chaereas
what Achates was to Aeneas, the faithful friend who accompanies him
through all adventures. With boyish zeal, he hides from his parents in
Syracuse his plan to go with Chaereas on his search for Callirhoe, but
he appears on the stern of the ship as it sails in time to wave a
farewell to his father and mother. His chief function is to encourage
Chaereas and prevent his suicide. At the end on their return to Syracuse
he is rewarded by being given Chaereas’ sister for a bride and a part of
the spoils of war for a dowry.
Public-domain text, read in full here on John Shaqi.
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