Essays, or discourses, vol. 2 (of 4) : $b Selected from the works of Feyjoo, and translated from the SpanishFeijoo, Benito Jerónimo
Philosophy
Essays, or discourses, vol. 2 (of 4) : $b Selected from the works of Feyjoo, and translated from the Spanish
Feijoo, Benito Jerónimo
Spanish essays -- Translations into English
XX. It is true, that the masters capable of forming this noble kind
of melody, are very few; but those who can’t attain this degree of
perfection, should content themselves with doing something less; taking
care however, that their compositions should tend to excite such
dispositions, as are suitable to divine offices; or at least being
careful, that they should not conduce to promote inclinations of an
opposite nature; and at all events, although it should be at the hazard
of disobliging the multitude, to shun those skittish sort of airs,
which have a certain occult relation to forbidden affections; but of
the two evils into which church music is in danger of falling, that of
its being offensive to the ears, is a less mischief, than that of its
being an incentive to vice.
XXI. The power of music to stir the passions, and raise in the minds
of men, dispositions to virtue or vice, is very well known. It is
related of Pythagoras, that, having by music adapted to produce such an
effect, inflamed the heart of a certain youth to a dishonourable amour,
he afterwards, by changing the tone, reduced him to the dominion of
continence. It is also related of Timotheus, a musician of Alexander
the Great, that he could irritate the martial fury of that prince to
such a degree, that he would seize on his arms, and put himself in
an attitude, as if his enemies were in front, and he on the point of
charging them. This effect, however, was the less surprising, because
the natural disposition of the prince, conspired to assist the skill
of the artist. Some add, that after having enraged, he calmed him; and
caused Alexander, who never turned his back on any danger, to become a
fugitive from his own rage. But what is told of the power of another
musician, which was exercised on Henry II. King of Denmark, called the
Good, is more extraordinary than all this; for it is said, that by a
movement and touch, calculated to excite choler, he inflamed the rage
of that prince to such a degree, that he fell upon, and put to death,
three or four of his domestics, and would have carried the havoc and
devastation still further, if he had not been restrained by violence.
This was the more wonderful, because the king’s natural disposition,
was gentle and peaceable.
XXII. I don’t imagine the musicians of these times can perform such
miracles, neither perhaps did the antient ones; for these histories
are not extracted from Holy Writ. It is however certain, that music,
according as the melody is varied, induces in the mind a variety of
dispositions, some good, others bad. With one we find ourselves moved
to sorrow, with another to mirth; with one to clemency, with another to
blood; with one to fortitude, with another to pusillanimity; and so on
with respect to other inclinations.
Public-domain text, read in full here on John Shaqi.
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