Essays, or discourses, vol. 3 (of 4) : $b Selected from the works of Feyjoo, and translated from the SpanishFeijoo, Benito Jerónimo
History
Essays, or discourses, vol. 3 (of 4) : $b Selected from the works of Feyjoo, and translated from the Spanish
Feijoo, Benito Jerónimo
Spanish essays -- Translations into English
XV. Yes. But laughter, although it may be directed to a proper object,
may be carried to excess; and perhaps this was the fault that was
reprehended in Democritus. To this I answer, that the accusation, even
considered in this sense, is founded on a mere equivocation. The laughter
of Democritus, which has been so largely cried out against, did not
favour so much of a habit, as of a dogma; and ought more properly to be
considered as applying to an object, than looked upon as a distinct act.
This philosopher was distinguished from the rest, not because he laughed
more than all the others, but for placing his especial attention on the
absurdities of mankind; and the singular maxim, that human things tended
more to excite laughter, than indignation or compassion, made a principal
part of his moral doctrine. It was easy to imagine, that a philosopher
must be much addicted to laugh, who philosophized in this way; and from
conceiving him much inclined to laugh, it was easy also for them to
proceed to supposing that he was laughing every minute; but his solitary
disposition, and retired life, afford an efficacious proof to the
contrary. Who ever knew a man that was much inclined to retirement, who
was of a very laughable disposition? These two things, seem absolutely
incompatible with each other. He who has a great propensity to laughing,
seeks occasions to gratify that inclination, and these are to be found in
the company of other men, and not in solitude.
XVI. From a story that is related of him by Lucian, I am persuaded, that
Democritus was more disposed to be serious than jolly. He was used to
say, that all the stories of spectres, phantoms, and apparitions, were
fabulous and ridiculous; and certain young fellows, to try whether these
were his real sentiments, or else with a view of making him alter them,
entered his room in the dead of night, with frightful masks on their
faces, and habited in the garb of devils, to which terrible appearances,
they added horrible shrieks and cries, accompanied by terrifying
gestures. Democritus, who was writing when they entered his room, far
from seeming surprized, without lifting the pen from his paper, and
without even deigning to pay any attention to them, in a severe tone
bid them hold their noise, or else go and make it in some other place,
and without articulating another word, he betook himself again to his
writing. What, if Democritus had been of a risible disposition, could
have been more likely than such a scene to have excited him to laughter;
for he well knew the appearances were all feigned, and a jocose derision
would have been the best rebuke he could have given them for such an
attempt. Finally, that spectacle afforded abundant matter proper to
excite laughter, for it might truly be called turpitude, _unattended by
sadness_. Why then did not Democritus laugh? Why did he not scoff at, and
treat them with jocose contempt? Why without doubt, because he was not
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