To the right of the wrestlers, on the same main wall, is a particularly interesting representation: beneath the inscription Phersu, a man, dressed and masked like a punchinello, is leading a dog in a long leash which is wound round his antagonist and ends in a wooden collar round the neck of the dog. The ferocious blood-hound has inflicted bleeding wounds on the legs and thighs of the antagonist, and the antagonist, whose head is muffled in a sack, is vainly trying to disentangle himself from the leash and to hit the dog with a club. The explanation of this exciting and brutal contest, to which no parallel can be found in Greek art, is evidently that Phersu tries to make his dog bite his antagonist to death before the latter can get his head out of the sack and hit man and dog with his club. If the club-bearer succeeds in freeing himself from the sack and the dog, Phersu has only one chance: to run away. As runner, he has his legs stiffened with thongs, and in the much damaged fresco on the left main wall of the tomb we see the flight of Phersu (fig. 5) and (not reproduced) the club-bearer pursuing him. They are separated by a pair of pugilists who are boxing to the accompaniment of flutes, again an evidence of Etruscan indifference to incongruities in the composition. The escaping Phersu is painted alone in another tomb at Corneto, the Tomba del Pulcinella, the name of which is derived from this figure, but here he is placed beside a horseman (fig. 6), who represents the equestrian processions at funerals, to which we shall turn our attention later. The Tomba del Pulcinella, which was discovered in 1872, also dates from the sixth century B.C., and like the Tomb of the Augur it bears the stamp of Ionic art, especially in the receding contours of the crown of the head and in the plump forms of the body. [Illustration: FIG. 4. RIGHT MAIN WALL IN THE TOMBA DEGLI AUGURI] [Illustration: FIG. 5. PART OF THE LEFT MAIN WALL IN THE TOMBA DEGLI AUGURI After a coloured drawing in the Helbig Museum] [Illustration: FIG. 6. PAINTING FROM THE TOMBA DEL PULCINELLA]