The scenes on the main walls are also associated with the funeral ceremonies. On the right-hand main wall (fig. 4) a boy is seen to the left in a white tunic with black dots, carrying a stool and raising one arm and his face to a man who, dressed in a red and brown cloak and brown shoes, seems to beckon to the boy with his right hand, gesticulating at the same time with his left. Between them a small figure is seated who reminds one of the small boys in the Greek tomb reliefs ‘weeping on their cold knees’. To the right is another man clad in chiton and mantle, gesticulating violently with his left hand, and carrying a crook in his right. Above him, and above the excited man to the right, runs the inscription: ‘Tevarath’, probably meaning umpire (βραβευτής, ἀγωνοθέτης). For now follow representations of athletic contests: two wrestlers engaging in the initial grips, the elder bearded, the younger beardless: between them are seen the prizes—metal bowls; these are supposed to be arranged in the background, but owing to the lack of perspective they seem to be in the way of the combatants. This scene throws light on the preceding one: the man with the crook is evidently not an augur, as originally conjectured because of the staff and the flying birds, but the umpire who has to see that no unfair tricks are used; the other man is the spectator who has not yet seated himself, but beckons to the slave-boy to bring him the stool on which he will sit down like the Roman knights of later times who brought their own stools into the orchestra of the theatre. On the other hand, the mourning, crouching slave-boy seems to repeat the death lament of the back wall. Here already, then, we can observe the curious fragmentariness of the scenes in Etruscan art: they look as if they had been cut out of more comprehensive wholes, and put together without logical sequence. Clarity and unity are wanting. There is not the sustained composition or the pleasure in detailed narrative which are regular in Greek and Egyptian art. The Etruscan artist is content with hints and fragments. [Sidenote: TOMBA DEL PULCINELLA]