Now this modern refusal to undo what has been done is not only an intellectual fault; it is a moral fault also. It is not merely our mental inability to understand the mistake we have made. It is also our spiritual refusal to admit that we have made a mistake. It was mere vanity in Mr. Brummell when he sent away trays full of imperfectly knotted neck-cloths, lightly remarking, "These are our failures." It is a good instance of the nearness of vanity to humility, for at least he had to admit that they were failures. But it would have been spiritual pride in Mr. Brummell if he had tied on all the cravats, one on top of the other, lest his valet should discover that he had ever tied one badly. For in spiritual pride there is always an element of secrecy and solitude. Mr. Brummell would be satanic; also (which I fear would affect him more) he would be badly dressed. But he would be a perfect presentation of the modern publicist, who cannot do anything right, because he must not admit that he ever did anything wrong. This strange, weak obstinacy, this persistence in the wrong path of progress, grows weaker and worse, as do all such weak things. And by the time in which I write its moral attitude has taken on something of the sinister and even the horrible. Our mistakes have become our secrets. Editors and journalists tear up with a guilty air all that reminds them of the party promises unfulfilled, or the party ideals reproaching them. It is true of our statesmen (much more than of our bishops, of whom Mr. Wells said it), that socially in evidence they are intellectually in hiding. The society is heavy with unconfessed sins; its mind is sore and silent with painful subjects; it has a constipation of conscience. There are many things it has done and allowed to be done which it does not really dare to think about; it calls them by other names and tries to talk itself into faith in a false past, as men make up the things they would have said in a quarrel. Of these sins one lies buried deepest but most noisome, and though it is stifled, stinks: the true story of the relations of the rich man and the poor in England. The half-starved English proletarian is not only nearly a skeleton but he is a skeleton in a cupboard.