English fiction -- 19th century; Tailors -- Fiction
This etext was produced by David Widger <widger@cecomet.net>
EVAN HARRINGTON
By George Meredith
BOOK 3.
XIV. THE COUNTESS DESCRIBES THE FIELD OF ACTION
XV. A CAPTURE
XVI. LEADS TO A SMALL SKIRMISH BETWEEN ROSE AND EVAN
XVII. IN WHICH EVAN WRITES HIMSELF TAILOR
XVIII. IN WHICH EVAN CALLS HIMSELF GENTLEMAN
CHAPTER XIV
THE COUNTESS DESCRIBES THE FIELD OF ACTION
Now, to clear up a point or two: You may think the Comic Muse is
straining human nature rather toughly in making the Countess de Saldar
rush open-eyed into the jaws of Demogorgon, dreadful to her. She has
seen her brother pointed out unmistakeably as the tailor-fellow. There
is yet time to cast him off or fly with him. Is it her extraordinary
heroism impelling her onward, or infatuated rashness? or is it her mere
animal love of conflict?
The Countess de Saldar, like other adventurers, has her star. They who
possess nothing on earth, have a right to claim a portion of the heavens.
In resolute hands, much may be done with a star. As it has empires in
its gift, so may it have heiresses. The Countess's star had not blinked
balefully at her. That was one reason why she went straight on to
Beckley.
Again: the Countess was a born general. With her star above, with
certain advantages secured, with battalions of lies disciplined and
zealous, and with one clear prize in view, besides other undeveloped
benefits dimly shadowing forth, the Countess threw herself headlong into
the enemy's country.
Public-domain text, read in full here on John Shaqi.
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