Mme. Séchard determined to use one hundred reams for the first
impression; fifty thousand copies would bring in two thousand francs. A
man so deeply absorbed in his work as David in his researches is seldom
observant; yet David, taking a look round his workshop, was astonished
to hear the groaning of a press and to see Cérizet always on his feet,
setting up type under Mme. Séchard’s direction. There was a pretty
triumph for Eve on the day when David came in to see what she was doing,
and praised the idea, and thought the calendar an excellent stroke of
business. Furthermore, David promised to give advice in the matter of
colored inks, for an almanac meant to appeal to the eye; and finally, he
resolved to recast the ink-rollers himself in his mysterious workshop,
so as to help his wife as far as he could in her important little
enterprise.
But just as the work began with strenuous industry, there came letters
from Lucien in Paris, heart-sinking letters that told his mother and
sister and brother-in-law of his failure and distress; and when Eve,
Mme. Chardon, and David each secretly sent money to their poet, it must
be plain to the reader that the three hundred francs they sent were like
their very blood. The overwhelming news, the disheartening sense that
work as bravely as she might, she made so little, left Eve looking
forward with a certain dread to an event which fills the cup of
happiness to the full. The time was coming very near now, and to herself
she said, “If my dear David has not reached the end of his researches
before my confinement, what will become of us? And who will look after
our poor printing office and the business that is growing up?”
The _Shepherd’s Calendar_ ought by rights to have been ready before the
1st of January, but Cérizet was working unaccountably slowly; all the
work of composing fell to him; and Mme. Séchard, knowing so little,
could not find fault, and was fain to content herself with watching the
young Parisian.
Public-domain text, read in full here on John Shaqi.
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