The Magi chapel must be assigned to some date between the years 1530 and 1539—I should say probably to about 1538, but I will return to this later on. Torrotti says that some of the figures on the Christ taken for the last time before Pilate (chapel No. 32) are by Gaudenzio, as also some paintings that were preserved when the Palazzo di Pilato was built, but I can see no sign of either one or the other now; nevertheless it is likely enough that several figures—transformed as we shall presently see that d’Enrico or his assistants knew very well how to transform them—are doing duty in the Caiaphas, Herod, Pilate, and Ecce Homo chapels. So cunningly did the workmen of that time disguise a figure when they wanted to alter its character and action that it would be no easy matter to find out exactly what was done; if they could turn an Eve, as they did, into a very passable Roman soldier assisting at the capture of Christ, they could make anything out of anything. A figure was a figure, and was not to be thrown away lightly. Soon after the completion of the Magi chapel the work flagged in consequence of the wars then devastating the provinces of North Italy; nevertheless by the middle of the sixteenth century we learn from Torrotti that some nineteen chapels had been completed. It is idle to spend much time in guessing which these chapels were, when Caccia’s work, published in 1565, is sure to be found some day and will settle the matter authoritatively, but the reader will not be far wrong if he sees the Sacro Monte by the year 1550 as consisting of the following chapels: Adam and Eve, Annunciation, Salutation (?), Magi, Adoration of the Infant Jesus by the Shepherds, Adoration by Joseph and Mary, Circumcision, (but not the present figures nor fresco background), Last Supper, Agony in the Garden, Capture, Flagellation, Crowning with thorns (?), Christ taken for the last time before Pilate, the Original journey to Calvary, Fainting Madonna, Crucifixion, Entombment, Ascension, and the old church of the Assumption of the Virgin Mary now removed. There were probably one or two others, but there cannot have been many.